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adidas brings the Home of Originals to The Campus Ampang, marking a new chapter in Kuala Lumpur with a concept store designed to go beyond conventional retail and into the heart of community, culture and sport.
adidas Malaysia’s first store outside of a traditional mall, the Home of Originals is set within a lifestyle neighbourhood centre reimagined from a former campus compound. Designed with an industrial aesthetic, the store features curated adidas Originals’ product offerings, with a fashion-led selection of apparel, footwear and accessories, alongside a “MADE FOR YOU” zone, designed to create a personalised experience for the community.
SOURCE: ADIDAS MALAYSIA
SOURCE: ADIDAS MALAYSIA
SOURCE: ADIDAS MALAYSIA
“The Home of Originals at The Campus Ampang represents a new way for adidas to show up in the city,” said Preston Page, Country Manager, adidas Malaysia. “This goes beyond a traditional retail space, as we look to build a hub shaped by the community, with hyper-local plans from community events to run club meets and the upcoming takeover of the adidas Football Park. It marks our shift from a retail presence to a cultural one, creating a space designed to live within the community, not just your typical store.”
ADIDAS FOOTBALL PARK
Extending beyond the store, adidas plans to transform the football field at The Campus Ampang into the adidas Football Park, envisioned as a future hub for sport and community. More than just a facility, the adidas Football Park will bring the energy of the game closer through activations and experiences.
SOURCE: ADIDAS MALAYSIA
SOURCE: ADIDAS MALAYSIA
SOURCE: ADIDAS MALAYSIA
The adidas Home of Originals is now open at LOT G-14, Ground Level, The Campus Ampang. For more information, please visit adidas’ official channels and stay tuned to their socials for further updates.
Global apparel retailer UNIQLO announces the launch of a new collaboration with Danish womenswear designer Cecilie Bahnsen, a brand that is attracting global attention for its uniquely feminine and romantic style, presenting womenswear through a contemporary yet timeless lens for everyday wear. Based on the concept of “Shapes of Poetry”, the 2026 Spring/Summer collection combines Cecilie Bahnsen’s elevated design and craftsmanship with the distinctive UNIQLO commitment to comfort and materials.
Commenting on the collection, Cecilie Bahnsen said, “I’m so happy to be collaborating with UNIQLO for the first time. I’ve always designed pieces to be lived in, worn and cherished every day, just as all UNIQLO LifeWear embodies. I’m very excited to be able to share that with so many women and girls around the world through this collection. Working with Maria and Louise Thonfeldt on the campaign has felt extremely special; they so naturally embody the sisterhood at the heart of Cecilie Bahnsen and everything we hoped this collection could express.”
SOURCES: UNIQLO
Yukihiro Katsuta, Fast Retailing Group Senior Executive Officer and Head of R&D for UNIQLO commented, “Around the time UNIQLO opened its first store in Denmark in Copenhagen in 2019, I had an opportunity to meet Cecilie by chance. I was immediately drawn to her approach to craftsmanship and hoped that one day we might have the opportunity to create something together. Seven years on, that long-standing connection has finally come to fruition in the form of this collaboration. This collection reinterprets the warmth and handcrafted sensibility of Cecilie Bahnsen through a distinctly UNIQLO perspective.”
Modern femininity for everyday life
The essence of Cecilie Bahnsen is expressed through iconic floral motifs, and voluminous sleeves with frills and shirring. The line-up of dresses, tops, and skirts with standout design details throughout can be worn lightly as single pieces with beautiful silhouettes, or enjoyed in matching sets. Special attention has been paid to the comfort of every item, such as by using high-quality cotton and elastic materials.
Cecilie Bahnsen’s First Line For Girls, Made Possible Through This Collaboration
As a mother herself, Cecilie has had a long fascination with childrenswear, which comes to life in a thoughtfully considered girls’ line. The girls’ line she created for this collection includes dresses, T-shirts, and skorts as a continuation of the adult styles and can be paired together as a matching moment. Combining a cute design with everyday comfort, the skort features an adjustable waist and practical pockets on both sides.
SOURCE: UNIQLO
SOURCES: UNIQLO
Details of the 2026 Spring/Summer Collection
Launch date: 22nd May 2026 (Friday)
Store availability: The full collection will be available at four (4) selected UNIQLO stores across Malaysia, including Fahrenheit88, The Exchange TRX, 1 Utama Shopping Centre, and Mid Valley Megamall, as well as online at uniqlo.com
Many stars have faced backlash for their stage outfits, either because they were inappropriate or depicted something controversial. Recently, G-Dragon (μ§λλκ³€) sparked outrage after wearing a shirt emblazoned with a racial slur.
Over the weekend, the BIGBANG member performed at the K-SPARK in Macau joint concert. While the performance went smoothly, G-Dragon’s shirt during the show unfortunately caused major controversy. The shirt, designed by German designer Bernhard Willhelm, features a Dutch racial slur equivalent to the n-word at the back of the garment. The phrase reportedly comes from the novel “From Innumerable Millions” by Dutch writer Willem Frederik Hermans.
SOURCES: TWITTER (@naevisualizer)
It’s worth noting there’s context behind the phrase. Regardless, the shirt sparked a slew of criticism towards G-Dragon and his team. Many netizens argued the singer and his stylists should’ve double-checked the meaning of the word, especially if they don’t understand the language. While some fans defended the star, many agreed that he should still take accountability, especially given the offensiveness of the word.
G-Dragon’s agency, Galaxy Corporation, would later release a statement to address the issue. In the statement published on 3rd May (Sunday), the company apologised for the stage outfit, adding that the incident has brought up the importance of cultural sensitivity and responsible review. Galaxy also mentioned that it will reassess and strengthen its internal review and verification processes, including styling, to avoid a recurrence of this issue.
Galaxy Corporation ends its statement, writing, “We remain committed to approaching all artist-related activities with greater thoughtfulness and accountability, while ensuring that the diverse cultural backgrounds and values of our global fans will always be respected. Once again, we sincerely apologise to everyone who was hurt or disappointed by this incident.” Fans have reacted to the statement, thanking the company for its quick response.
Given the sensitive nature of the whole ordeal, it’s good that G-Dragon and Galaxy Corporation were quick to acknowledge their mistake and take accountability. Let’s hope they’ll continue to be more careful in the future.
Kays + Kins, the comfort-driven, design-led lifestyle brand for modern families, has officially announced the opening of its first physical flagship store in Malaysia. Located at Pavilion Bukit Jalil, the new boutique marks an exciting milestone for the homegrown brand, previously only available online, offering customers a warm and personal space to experience its thoughtfully designed baby essentials firsthand.
Known for its elevated essentials made for practical baby wear, Kays + Kins has built a loyal following through its signature approach to comfort, quality and timeless design. Designed with South East Asia’s warm and humid climate in mind, the brand’s collections feature relaxed, non-body-hugging silhouettes and soft, breathable fabrics that support ease of movement and all-day comfort for babies and toddlers.
SOURCE: KAYS + KINS
The opening of its first physical store brings the Kays + Kins experience to life beyond the digital space, giving customers the opportunity to feel the softness of its fabrics in person, discover the details behind its hand-painted prints, and shop in an environment that reflects the brand’s calm and intentional aesthetic.
“As we grew our brand in Malaysia, our community has always asked for a space where they can experience our fabrics in person and discover for themselves the details that make each piece special, such as the softness of our bamboo muslins and the hand-painted details of our prints,” says Karine Low, Founder of Kays + Kins.
“So with the opening of this physical store, we wanted to go beyond retail to create more personal experiences of the brand. We wanted a space where parents and gift-givers can take their time, feel the quality of our pieces, and find something that is both practical and beautiful for everyday family life,” she added.
SOURCE: KAYS + KINS
At the heart of Kays + Kins is a comfort-first design philosophy. Each piece is created to feel gentle, breathable and easy to wear, especially in tropical weather. The brand’s fabric choices are selected not just for softness on first touch, but for how they continue to feel over time, remaining soft and comfortable even after repeated washes, making them especially suited for daily use.
This focus on thoughtful design also extends to the brand’s visual identity. Kays + Kins is known for its limited, hand-painted prints that are intentionally designed to feel timeless and distinctive, rather than mass-produced. Together with its understated colour palette and refined product styling, the brand offers a lifestyle sensibility that resonates with modern parents looking for baby essentials that are as beautiful as they are functional.
Beyond everyday wear, gifting plays a key part of the Kays + Kins brand experience. The flagship store is designed to support meaningful and even last-minute gifting moments, with a curated range of newborn gift sets, Bamboo Muslin Swaddles, signature two-way zipper Growsuits and Sleepsuits, customisable wooden keepsake boxes with personalised engraving services, and the exclusive Heritage Collection available only in-store. The ideal go-to place for baby showers, full-moon celebrations or simply welcoming a newborn, the store offers customers a thoughtful and convenient destination for gifts that feel personal and memorable.
SOURCE: KAYS + KINS
SOURCES: KAYS + KINS
The boutique itself features a minimalist, earthy-luxe interior inspired by nature, creating a calm and inviting environment for families and gift-givers alike.
While comfort, design and experience remain central to the brand, Kays + Kins also maintains a strong commitment to quality and responsible production. Its collections include GOTS-certified organic cotton and OEKO-TEX certified garments, providing parents with added assurance that every piece meets recognised standards for safety and care.
For further information about Kays + Kins and its product offerings, please visit kaysandkins.com.
There’s great news for Jannabi (μλλΉ) fans in Malaysia! The Korean indie rock band recently announced their first Asia tour, and they’re bringing their chart-topping music to Kuala Lumpur for the first time!
Over the weekend, Jannabi announced their first Asia tour titled “Sweat & Stardust” along with the list of stops and dates. The band will perform in six cities, including Taipei, Tokyo, Singapore and Kuala Lumpur. Their show in KL will take place on 21st August 2026 (Friday) at Zepp Kuala Lumpur. Additional information about the concert will be available on a later date.
The upcoming concert marks Jannabi’s first performance in Malaysia since their debut in 2012. The band currently consists of members Choi Junghoon and Kim Do-hyung. They’re best known for their 2019 single “For Lovers Who Hesitate”, which peaked at No.1 on South Korean music charts. Here’s what we know about their KL show so far:
Jannabi “Sweat & Stardust” Asia Tour in Kuala Lumpur
Stay tuned to this space and Jannabi’s social media pages for more information on the KL concert or any of the other show dates. Are you excited to finally see Jannabi in Malaysia?
Sir David Attenborough turns 100 this May, marking a historic milestone for a broadcaster who has shaped and defined science and natural history storytelling for generations. Over seven decades, his distinctive voice and ground-breaking documentaries have brought the wonders of the natural world to our screens, inspiring millions to care more deeply about the planet we share.
To commemorate this occasion, viewers can tune in to BBC Earth on 8th May (Friday) at 8pm for the Sir David Attenborough 100th Birthday Anniversary Special, featuring two new programmes.
In “Wild London”, Attenborough turns his attention closer to home, where he uncovers extraordinary wildlife thriving in unexpected places across the capital. From peregrines nesting on the Houses of Parliament to beavers building homes beside shopping centres, the programme reveals that London’s urban environment is filled with natural wonders to rival any on Earth and inspires viewers to rediscover nature on their own doorsteps.
“Making Life on Earth: Attenborough’s Greatest Adventure” tells the remarkable behind-the-scenes story of the groundbreaking 1979 series, “Life on Earth”. Filmed across a three-year journey spanning 40 countries and over 600 species, the programme revisits the making of the series during a pivotal era in television history when global jet travel and colour filming were still in their infancy.
Featuring exclusive interviews with Attenborough and the original crew, the programme captures the challenges they faced – from political unrest to extreme environments – on a production that would go on to redefine natural history television and cement Attenborough’s reputation as the most influential wildlife filmmaker of our time.
Catch the Sir David Attenborough 100th Birthday Anniversary Special on 8th May (Friday) at 8pm on BBC Earth, available on Unifi TV channel 501, Astro channel 554 and BBC Player.
To tease his fourth studio album, Noah Kahan wrote on Instagram: “From a long silence forms a divide, a great expanse demanding attention. I stare across it… The songs are the words I would say if I could.” That framing matters, because “The Great Divide“ feels exactly like that: a long stare across something you cannot cross, but cannot ignore.
What he captures across these 77 minutes is not just heartbreak, but the feelings you already recognise and cannot control. The kind that lingers like an old bruise–mostly healed, but still tender if you press on it. Kahan spends the album unpacking memory. Not neatly or linearly, but expansively. Time stretches. Feelings ebb and flow. The album refuses to apologise for any of it: anger, longing, regret, wishfulness, pleading. Instead, it simply says: I see you. I feel that too. And in doing so, it forces you to show up to yourself. That is rare. And quietly radical.
The strength of “The Great Divide” lies in its refusal to resolve. It exists entirely in the in-between, not offering closure or clarity, asking you to sit inside uncertainty.
Kahan treats emotions as fluid rather than fixed. You can feel love and resentment at once. You can miss someone and still be relieved they are gone. The album does not try to reconcile these contradictions. It allows them to coexist.
In a time that demands immediacy, quick fixes, clean healing, and constant distraction, this feels almost subversive. We are rarely encouraged to sit with discomfort. There is always something to numb it.
Source: Instagram @noahkahanmusic
Khan lets things stretch out longer than they should. He repeats thoughts. He circles back. He refuses to move on when it would be easier to. And in doing so, he creates something that feels deeply human: the experience of being stuck in your own mind, replaying, reframing, re-feeling.
It is not cathartic. It is definitive.
Memory as Evidence
Throughout the album, memory is not distant; it is active. Something you revisit, reframe, and carry forward. Listening to it feels participatory. It brings up everyone: parents, siblings, lovers, friends, past versions of yourself. The album asks you not only to listen, but to acknowledge– to recognise yourself in what is being said, even when it is uncomfortable.
Kahan “states a feeling like a fact.” That approach gives the album its weight. Emotions are presented plainly, without dramatics or cushioning. “And you tell yourself lies and disguise them as facts / It’ll hurt half as much if you drive twice as fast.” That line feels like the thesis of the album. The ways we distort reality to make things easier. The ways we avoid sitting still long enough to actually feel what is happening.
“The Great Divide” treats memory like evidence. It revisits younger versions of the self, old relationships, past habits, not to romanticise them, but to examine them. To hold them up and say: this happened. This mattered. This still exists in me.
And once you see it like that, you cannot really look away.
Source: Instagram @noahkahanmusic
No Heroes Here
The album never positions its narrator as a hero. If anything, Kahan leans into the opposite. “I’ll keep praying for your downfall. I don’t mind being your dead end.”
On “Downfall,” these lines land because of their certainty. There is no build, no emotional softening; just a statement. A directness that runs throughout the album. Emotions are presented without cushioning. Conclusions arrive without negotiation.
It feels uncomfortable because it feels honest. People are not always kind. They are not always fair. They are not always self-aware. And Kahan does not try to rewrite that. He lets the narrator be petty, jealous, bitter, and contradictory. Which, paradoxically, makes the album feel more empathetic.
“Willing and Able” and the Violence of Familiarity
“Willing and Able” stands out as one of the most devastating tracks on the album. On the surface, it reads as a song about a strained sibling relationship. But it quickly becomes something broader: a study of two people who love each other deeply, but cannot fully know each other.
The biblical parallel to Cain and Abel is hard to ignore. Not just in name, but in theme, envy, misunderstanding, proximity, and the quiet violence that can exist between people who share history.
Source: Instagram @noahkahanmusic
“When I make my flight, I’m the devil / But when I stay the night / Then we drink / And we stay up and fight ‘bout the childhood lie / That we both had the courage to leave.” There is a shared truth here, but no shared understanding. Both versions of the story are real. Both versions hurt. That is the tension the song sits in: the impossibility of reconciling two equally valid emotional realities.
“Oh, I wish you could know me / And I wish I could know you much more sometimes…” That line feels like the emotional core not just of the song, but of the album. The desire to be known, fully and honestly—and the quiet recognition that it might never happen.
Even the language of the song reflects this instability. Phrases like “kick this rock around” blur idioms together, suggesting both dismissal and engagement. Stay or leave. Talk or walk away. It does not matter. The narrator will meet them wherever they are.
“I’ll do whatever you ask me.” That willingness is not romantic. It is desperate. And what makes it heartbreaking is the familiarity of it. The sense that this dynamic is not unique. That many relationships exist in this exact state– circling, clashing, never quite resolving.
The Aftermath of Leaving
If Stick Season was about leaving, “The Great Divide” feels like what comes after. There is a shift in perspective. Where Kahan once urged movement, he now questions what that movement cost.
The album repeats itself–lyrically and emotionally. At times, it borders on redundancy. But that repetition feels intentional, mirroring how unresolved feelings linger.
The tension between who you were and who you are now drives the album. It does not offer closure or suggest that growth is clean or linear. It simply makes the process visible.
Source: Instagram @noahkahanmusic
Fame, But Made Universal
On paper, “The Great Divide“ grapples with fame, a theme that often becomes self-indulgent. Kahan avoids that by grounding it in something broader.
Yes, there are references to career, expectation, and relationships strained by success. In “Haircut”, Khan says, “Some small fame ain’t made me someone else,” to express his desire to maintain his own identity outside of what he’s done.
But at its core, the album is about distance.The gap between who you were and who you are now. The people who knew you before, and the person you have become. That distance is universal, whether it comes from moving away, growing apart, or simply changing.
The Radical Act of Feeling
Some have framed Kahan’s work within conversations about male loneliness. While present, that framing feels too narrow. This album speaks to a wider condition.
We are living in a time of instability, economic pressure, global crisis, and constant noise. There is always something pulling us away from ourselves. In that environment, we have become uncomfortable sitting with our own thoughts. There is always a distraction, a quick fix, a way to avoid feeling. Kahan resists that entirely. He shows what it sounds like to sit with a feeling long enough to move through it, to get past the initial discomfort and reach something deeper.
That quiet, persistent ache. The one that reminds you that you are human. There is something powerful in that. In refusing to rush. In allowing feelings to exist without resolution. It is not loud or dramatic. But it is radical.
Source: Instagram @noahkahanmusic
Final Thoughts
“The Great Divide” is not an easy listen. It is long, emotionally dense, and at times repetitive. But that is also its strength. It does not offer easy answers or clean resolutions. It does not try to move past discomfort too quickly. Instead, it stays in it.
Sonically, Kahan does not reinvent himself here. He deepens what already works. That is, in large part, due to his collaborators. Working again with longtime producer Gabe Simon, alongside Aaron Dessner and drummer Carrie K, the album leans into something more expansive. The songs stretch out, often pushing past the five-minute mark, trading in immediacy for something slower and more immersive. The arrangements feel patient, sometimes deliberately restrained; there are fewer easy, shout-along moments.
Source: Instagram @noahkahanmusic
At its best, that restraint becomes something more complex. On tracks like the opener, “End Of August”, the production mirrors the emotional instability Kahan is circling; layered vocals overlapping, tension building towards a release that never fully holds. When those moments land, they feel earned, but also fleeting. The catharsis doesn’t last. It recedes almost as quickly as it arrives, reinforcing the album’s central idea that no feeling is permanent, even the ones we chase.
But that same approach can flatten the album in places. When the arrangements fall back into more familiar patterns, the contrast becomes more noticeable. You start to hear the limits of the sound Kahan has built for himself.
Still, when it works, it works because of that balance. Dessner draws out the quieter, more uncomfortable edges of Kahan’s writing, while Simon keeps the foundation grounded in the rustic, acoustic world Kahan has made his own. Carrie K’s percussion adds a subtle forward motion, giving even the most introspective moments a sense of movement.
Together, they create a space that feels lived-in rather than artificial. Nothing feels overly polished or forced. The production gives the emotions room to breathe, to linger, to exist without being resolved too quickly.
And that is ultimately what makes “The Great Divide” land. Because at its core, this album is about the space between who you were and who you are. And the difficult, necessary act of sitting there long enough to understand it.
Listen to “The Great Divide” anywhere you get your music:
In “Wild London”, Attenborough turns his attention closer to home, where he uncovers extraordinary wildlife thriving in unexpected places across the capital. From peregrines nesting on the Houses of Parliament to beavers building homes beside shopping centres, the programme reveals that London’s urban environment is filled with natural wonders to rival any on Earth and inspires viewers to rediscover nature on their own doorsteps.
