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If you’ve been looking for an excuse to plan a weekend in Kuala Lumpur this July, Citrawarna 2026 might be it!
Returning to Dataran Merdeka from 24 to 26 July, Malaysia’s annual cultural showcase is going beyond colourful performances this year by pairing the festivities with exclusive hotel promotions and heritage inspired dining experiences across the country.
Held under the theme “Ritma Warisan, Nadi Nusa dan Bangsa” (The Rhythm. The Soul. The Nation.), Citrawarna 2026 celebrates Malaysia’s rich cultural identity through traditional performances, artistic showcases, heritage experiences and immersive displays that spotlight the country’s diversity. As part of the wider Visit Malaysia 2026 (VM2026) campaign, the festival aims to encourage both locals and international travellers to rediscover Malaysia through culture, food, and travel.
Exclusive Hotel Deals
Image Source: Instagram @citrawarna.my
To make the celebration even more accessible, more than 40 hotels and accommodation providers, across the Klang Valley, and selected states, are rolling out special promotions exclusively for the festival period.
Expect discounted room rates, staycation packages, and limited time offers designed for travellers planning a cultural weekend escape. Bookings will be available from mid-July until mid-August 2026, giving visitors flexibility to enjoy the festival while extending their trip beyond the event itself.
Whether you’re travelling across states, or looking for a city staycation, it’s an easy excuse to experience KL from a different perspective.
Taste Malaysia Through Citra Rasa
The experience continues after the performances end. Participating hotels are also introducing “Citra Rasa (Colours of Flavour)” a nationwide culinary initiative celebrating the country’s diverse food heritage. Hotel cafes’ and restaurants will serve dishes inspired by the traditional cuisines of every Malaysian state, giving visitors the chance to sample regional specialties without leaving the city.
From bold northern flavours to East Malaysian favourites, the initiative highlights the stories, traditions and communities behind Malaysia’s iconic cuisine.
A Bigger Push for Visit Malaysia 2026
Image Source: Instagram @citrawarna.my
Citrawarna has long been one of Malaysia’s signature cultural events, but this year’s edition places an even stronger emphasis on supporting local tourism, cultural preservation, and community driven experiences ahead of Visit Malaysia 2026.
By bringing together tourism operators, hotels, and the hospitality industry, the festival hopes to create meaningful travel experiences while supporting local business and showcasing the best of Malaysian culture on a global stage.
For updates on participating hotels, accommodation packages and the Citra Rasa dining programme, follow @citrawarna.my and @malaysia.truly.asia, or visit the official Tourism Malaysia website www.malaysia.travel.
Citrawarna 2026 is happening from 24 to 26 July 2026 at Datatran Merdeka, Kuala Lumpur. Hotel promotions are available from mid July to mid August 2026.
Calling all Strings in Malaysia! Get ready for an unforgettable night as the multitalented Henry Lau (刘宪华/헨리) brings his 2026 tour to Kuala Lumpur this October!
The singer is bringing his “Enjoy The Show” world tour to KL, marking his return to Malaysia after his performance at The Exchange TRX’s 2025 Countdown Party. The show will take place at Idea Live Arena on 3rd October 2026 (Saturday). Ticket prices start at RM398 and will go on sale from 16th July 2026 (Thursday) onwards. There are also VIP packages available.
SOURCE: IME MALAYSIA
SOURCE: INSTAGRAM (@henryl89)
For this upcoming concert, fans can expect Henry’s usual musicianship and dynamic performances. Paired with the immersive stage production, this show will surely captivate audiences and create an unforgettable memory, especially for long-time Henry fans. Here are all the details:
Henry Lau “Enjoy The Show” World Tour in Kuala Lumpur
Malaysia has never been short of stories but many of the communities, creators, and changemakers behind them have remained hidden from the mainstream. Now a new platform is putting these purpose driven businesses on the map.
Currated by social enterprise Earth Heir®, The GOOD LIST is a curated directory featuring 100 social enterprises, ethical businesses, eco-stays, impact cafes, heritage tours, and community led experiences across Malaysia.
Image Source: Instagram @earthheir
Officially launched by Hannah Yeoh in conjunction with Kuala Lumpur Festival, the initiative arrives as travellers increasingly look beyond conventional tourism to seeking experiences that connect when with local communities, culture, and conservation efforts.
Beginning with Kuala Lumpur and Selangor, The GOOD LIST plans to expand nationwide in phases, creating a digital guide for travellers and locals looking to support businesses that prioritise people, heritage and planet.
Yang Berhormat Hannah Yeoh, Minister in the Prime Minister’s Department (Federal Territories), delivering her officiating speech at the launch of The Good List by Earth Heir® Image Source: Earth Heir
A New Lens On Malaysian Experiences
The GOOD LIST offers a different way of seeing Malaysia that moves beyond popular attractions to spotlight the communities shaping the country’s cultural and social landscape.
Each listing highlights businesses built around values such as environmental responsibility, inclusive employment, cultural preservation, and community empowerment.
Featured organisations include, Silent Teddies Deaf Bakery, which creates employment opportunities for the deaf community; Restoran Sup Kawah Hitam Beratur, a community focused food initiative; and Umah Temuan, an Orang Asli home stay offering visitors an opportunity to experience indigenous culture through the eyes of the community itself.
Joachim Sebastian, Head of Business Development of Earth Heir®, presenting The Good List platform and its community-driven features Image Source: Earth Heir
The platform also highlights immersive experiences such as Serendah Indigenous Explorations and EPIC Homes’ community-building initiatives, alongside organisations supporting vulnerable groups, including Yayasan Chow Kit’s Rumah Kita.
Meanwhile, businesses such as Dapur Digital and UNPLUG showcase how entrepreneurship can create pathways for social mobility by providing training and opportunities for underserved communities.
Making Conscious Choices More Accessible
Sasibai Kimis, Founder & Director of Earth Heir®, addressing guests during the launch of The Good List Image Source: Earth Heir
For many small businesses with strong social missions, visibility remains one of their biggest challenges. While these enterprises often have meaningful connections with their communities, limited resources can make it difficult for them to reach wider audiences.
The GOOD LIST aims to close that gap by creating spaces where consumers can easily discover and support businesses making a difference.
“Malaysia is home to a rich and diverse ecosystem of businesses that are rooted in local culture and community impact, yet many are difficult to discover through mainstream channels,” said Sasibai Kimis, Founder and Director of Earth Heir®.
“Our local practitioners of Craftsmanship, caretakers of heritage, champions of the marginalised and protectors of nature need greater visibility and support, not just to survive but to thrive.”
As conscious consumption continues to influence how people spend, The GOOD LIST reflects a growing shift towards more intentional choices.
Whether it is staying at a community-run homestay, dining at an ethical eatery,, purchasing locally crafted goods, or joining a cultural experience, each decision can contribute towards preserving traditions, supporting livelihoods, and strengthening local communities.
The Future of Malaysian Tourism
(Left to Right) Datuk Seri TPr Fadlun Mak Ujud, Mayor of Kuala Lumpur; Sasibai Kimis, Founder & Director of Earth Heir®; and Yang Berhormat Hannah Yeoh, Minister in the Prime Minister’s Department (Federal T Image Source: Earth Heir
The launch of The GOOD LIST comes at a pivotal moment as Malaysia prepares for Visit Malaysia Year 2026, reflecting a shift towards tourism that values authenticity over mass consumption.
Rather than simply showcasing destinations, the platform encourages travellers to engage with the people and stories that make each place unique.
“The GOOD LIST is a timely and commendable effort that positions Malaysia as a leading travel destination that is culturally grounded, community-focused, and economically inclusive,” said Hannah Yeoh.
As conversations around climate change, cultural preservation, and responsible tourism continue to grow, The GOOD LIST highlights a travel experience defined by impact, instead of exclusivity.
From indigenous led adventures and heritage experiences to ethical businesses and community driven initiatives, the platform invites Malaysians and travellers to explore a side of the country shaped by the people behind the places.
The future of travel is about the communities that we choose to support rather than just where to go.
After the seemingly endless run of live-action remakes, the next great idea for Disney is apparently… a film that hasn’t even hit its tenth birthday?
Yes, really. We punched in the numbers.
Truly, this year’s live-action adaptation of “Moana” occupies a strange little category all its own. The original set sail for cinemas in November 2016, back when Disney’s confectionary of bright ideas was just ramping up its nostalgia machine with “Cinderella” and then “Pete’s Dragon.”
Source: Walt Disney Studios
Ten years on, Disney’s timed this release to land just short of that anniversary, though, funnily enough, it wasn’t originally supposed to cut it this close. This one was meant to arrive in June last year before getting bumped, and somehow we got a surprise “Moana 2” at the tail end of the year before that, a movie that was meant to be a series on Disney+ right before the studio realised they needed a box office win. Go figure.
Unlike “Lilo & Stitch,” a remake we found ourselves enjoying fairly enough despite our better judgement, “Moana” doesn’t get the benefit of distance. There’s no decade of hazy childhood memory for this redo to capitalise on quietly.
Source: Walt Disney Studios | Catherine Laga’aia as Moana in “Moana”
But what it does have is a nine-figure budget north of $200 million (gasp, that’s the number for “The Odyssey”), Dwayne Johnson reprising Maui in the actual flesh, this time with a Weird Al Yankovic wig. Newcomer Catherine Laga’aia is stepping into a role that Auli’i Cravalho, now an executive producer here, deliberately stepped back from to make room for.
Every time a live-action remake comes out, there is always the question of whether the adaptation will earn its place in history. Despite their tenacity over these years, these adaptations aren’t infallible, of course. Look at “Snow White,” which, to be fair, had a whole pile of other external cultural problems working against it.
But even reviews like this one going out into the world won’t change what the box office tends to decide. Just like the rest of the live-action remakes before it, this one isn’t going to change your mind, whichever side of the debate you’re already on.
Source: Walt Disney Studios | Catherine Laga’aia as Moana in “Moana”
So, in the end, how far does this live-action remake go?
Here’s the thing: Maui may be talking about moving lands from beneath the sea, roping out islands and the like, but over here, the story barely moves an inch from the source. Whether that’s a good thing or a bad thing depends entirely on how generous you’re feeling. Nothing here is reinvented so much as reupholstered. We’re looking at the same skeleton wearing a slightly more expensive coat of paint.
But the real question isn’t “what happens next” (you already know); it’s whether that new coat was worth the cost of putting it on at all.
Source: Walt Disney Studios | Catherine Laga’aia as Moana in “Moana”
Spoiler alert: Moana is still the headstrong daughter of Chief Tui. She’s still drawn to an ocean her father insists she stay away from, still watching her island starve as the fish disappear and the crops fail while everyone shrugs and blames the reef. Her grandmother Tala still hands her the one piece of information that cracks the whole thing open: their people were voyagers, once, before Maui stole the heart of Te Fiti and cursed the sea behind them.
Every plot beat lands exactly where it did in 2016. Silly chicken Hei Hei still finds its way on board her boat, she still finds Maui sulking on his island prison, still visits Tamatoa’s glittering underwater lair, and ultimately squares off against Te Kā at the edge of the map.
Source: Walt Disney Studios | Catherine Laga’aia as Moana in “Moana”
However, despite all that money and pedigree, the film in front of us looks less like a glossy reimagining and more like somebody forgot to colour grade the footage to its fullest. Where are the lights? Sure, some colours pop, mostly whenever the plot demands a sunset or a burst of bioluminescent magic, but chee-noooh, plenty of scenes, especially the ones set at night, sit in this dull, drab murk.
Catherine Laga’aia, at the very least, does well as the titular Moana, encompassing what you’d want from the headstrong chief’s daughter. She’s got the physicality down, the paddle work, the storm-tossed scrambling, the sheer stubbornness in how she carries herself against her father’s wishes.
But it’s also in the quieter beats where she earns her keep, the moments of doubt before the big swells of courage, the flickers of a teenager who’s in over her head and knows it. It’s a performance that understands Moana isn’t just meant to be plucky; she’s meant to be scared and go anyway. Laga’aia gets that distinction right, even when the film around her doesn’t always give her the space to fully sit in it.
Source: Walt Disney Studios | Dwayne Johnson as Maui in “Moana”
Now, about Weird Al wig-donning Dwayne Johnson. Something is off here. It’s less “demigod of wind and sea” and more “unc Maui,” a guy going through the motions of charisma rather than actually radiating any. Indeed, it’s a noticeable step down from the loose, self-aware energy he brought to the character in voice form. What happened here?
It’s a tough act to follow Maui in animated form, but come on. Dwyane has the expression befit of a rock in this film.
Was Mr Johnson brooding? Was he still channelling Black Adam in this less-than-stellar Maui cosplay? Was he afraid that the hierarchy of the Disney live-action films was about to change? It seemed more like Dwayne couldn’t handle that someone else could take this role and do it better than him, and as such, decided to be this washed-up version of a character that had a lot of goofy in his veins.
You know the scene where he turns into a shark with human legs, and starts musing about “Shark Head”. Well, what do you know, this version is actually more animated than Dwayne himself, which is hilarious.
Source: Walt Disney Studios | Dwayne Johnson as Maui in “Moana”
As a matter of fact, we dare say that Jason Momoa, goofy “Minecraft” performance and all, might genuinely have had more fun if he were cast here than Johnson does here.
That flatness also bleeds into how the film handles its quieter, more mythic beats. Take the early scene establishing Moana’s bond with the ocean, sheltering the turtle, the water parting for her like it recognises something in her before she does.
The animated version lets the moment breathe, lets the magic of it sit with the audience before moving on. Here, it’s treated like a box to check. In, out, next scene. The same can be said when Moana and Maui first enter Lalotai, where they don’t even show the potential horrors that might befall our protagonists. Whether that’s a budget issue or a pacing choice, the effect is the same: a moment that’s supposed to feel like wonder ends up feeling like a formality.
Source: Walt Disney Studios
Most of the film, to be fair, is a faithful shot-for-shot recreation, and the smallest tweaks don’t hurt anything.
For example, Heihei still falls off the boat, though he never flips upside down like two drumsticks in soup, presumably because that’s not something real chickens would do.
Yet, some of the tweaks quietly undercut what made the original work.
Like in the climax, when Maui’s hook is damaged in the skirmish with Te Kā, the animated film intentionally frames him from the back, withholding the damage for a beat, letting the dread build before revealing what’s actually wrong.
Source: Walt Disney Studios
The live-action version shows us the damaged hook pulsating with electricity immediately, and Johnson just leans against the post like a man who’s lost interest in a toy he never wanted anyway. Why deliver the information straight to your audience? Have we stooped so low that we cannot appreciate or decipher scenes and tension on our own?
Sure, these examples may seem like we’re putting this movie on a slide and under the lens of a microscope. But when you remake something, especially something that’s generally recent, the memory of the predecessor is going to invite scrutiny.
Here’s the part where we’re contractually obligated to ask why these remakes exist at all, and here’s the part where we’re contractually obligated to already know the answer. Nostalgia sells. It has sold for over a decade at this point, and it will keep selling long after this.
Source: Walt Disney Studios | Hei Hei in “Moana”
The cycle is practically self-sustaining now. A studio’s investors need their money, so they dust off a beloved animated title and slap a live-action coat of paint on it. The internet collectively reaches for its pitchforks, decries the lack of originality, and asks why and who asked for this. Yet, the film releases anyway. And more often than not, it makes money regardless, because nostalgia doesn’t actually care how loud the discourse gets. So the studio, vindicated, reaches for the next title on the shelf. Rinse and repeat.
“Moana” just happens to be the version of this cycle that arrives embarrassingly early, a live-action remake of a film that isn’t even old enough to drink whatever poisons the makers might have been on. But “too soon” is really just a more specific flavour of the same complaint that’s been lodged against every one of these remakes since “Cinderella.”
It’s an ouroboros with a very predictable diet. And if this one performs the way these things usually do, we already know what’s coming next. The discourse dies down, the box office numbers get quietly celebrated in a boardroom somewhere, and Disney adds another title to the queue.
Source: Walt Disney Studios | Catherine Laga’aia as Moana in “Moana”
Yet, shot-for-shot fidelity isn’t the problem. “How to Train Your Dragon” proved that last year. It was the same story, same beats, same emotional peaks, translated almost scene for scene into live action, and yet that film still managed to feel alive. The difference isn’t in what was adapted, but how.
The makers of “How To Train Your Dragon” understood something in knowing when to let a scene breathe and holding space for emotion. Knowing when to hold on a face a beat longer, when to let the camera drift and let the audience sit inside a moment instead of just checking it off.
“Moana” has all the same ingredients on paper, but lacks some of the patience. It sometimes rushes past the exact moments that made the original soar. Shot-for-shot doesn’t have to mean soulless. “How to Train Your Dragon” is the proof. And “Moana” over here is a bit of a counterpoint.
Source: Walt Disney Studios
Again, how far will the live-action remakes go? Judging by “Moana,” not very much.
It’s baffling to see how this movie had such a massive budget for an end product that’s generally mediocre. It’s not like there wasn’t effort placed here. Somewhere in that budget is a real production, real location shooting in Hawaii, real costume work, a real cast giving it a genuine go (maybe not Dwayne). But money spent isn’t the same as money well spent, and the film does many things on a level that simply cannot match its predecessor, animated or not. Nine figures and it still can’t out-glow a cartoon. Simply put, it’s content to exist on its own island as it is… and not sail beyond the reef. Ironic.
Disney’s “Moana” is currently playing in theatres.
The Review
"Moana" (2026)
50%Score
A shot-for-shot remake that mistakes fidelity for faithfulness. Catherine Laga'aia shines, but Dwayne Johnson's flattened Maui and the film's refusal to let its own magic breathe keep this "Moana" stranded just short of the wide ocean.
They say there’s no age limit to being a fan. Recently, an 82-year-old Japanese woman proved just that after attending T.O.P’s (탑) fan meeting in Japan. The best part? The fan even got to interact with the rapper on stage!
On 9th July 2026 (Thursday), T.O.P, who also goes by Choi Seung Hyun (최승현), held his first solo fan meeting in Japan. The “RE:UNION” fan meeting had previously garnered interest because it was free. The rapper said he wanted to hold the event to express his gratitude to his supporters for their unwavering love throughout the years.
The fan meeting featured many memorable moments, including live performances of songs from his first studio album, “ANOTHER DIMENSION”. However, it was T.O.P’s interaction with an elderly fan that sparked the most interest among netizens. According to videos from the event, the fan is an 82-year-old who started liking the rapper since his debut.
The emcee then asked the fan a series of questions, including how she felt about meeting T.O.P and what she liked about the former BIGBANG (빅뱅) rapper. He even asked if she had any requests for the star, now that she’s in front of him, to which she replied, “I’m already a grandma, so seeing him in person is enough for me.”
Meanwhile, T.O.P appeared touched by the elderly fan’s answers, likely surprised by how long she’s been a fan of his. To show his gratitude, the 38-year-old then invited her into a hug, prompting cheers from the crowd. He also presented her with a rose, kneeling on one leg as he presented it towards her.
Fans and netizens have reacted to the wholesome interaction, mostly moved by T.O.P’s actions and the 82-year-old’s devoted support for the rapper despite her age. The fan exchange also sparked discussion about being a K-Pop fan at an advanced age, with many saying the woman proved that age shouldn’t be a restriction to supporting idols.
Many fans also said they hoped to continue supporting their favourite singers when they get older, using the 82-year-old as an inspiration. In related news, T.O.P will also be holding a solo fan meeting in Kuala Lumpur this September.
The music industry has lost another brilliant star. Welsh singer Bonnie Tyler, best known for her hit song “Total Eclipse Of The Heart”, has passed away. She died on 8th July 2026 (Wednesday) at age 75.
Her team announced the devastating news through social media, writing, “Bonnie’s family and team are heartbroken to announce that Bonnie unexpectedly passed away last night in hospital in Portugal as a result of the illness that she was being treated for.” The team also said that they will issue a further statement in the near future, but ask for privacy at the moment to deal with their loss.
Back in May, Bonnie’s team revealed that the singer had undergone an emergency intestinal surgery at a hospital near her home in Faro, Portugal. According to reports, the surgery was to treat a perforated intestine. The procedure was a success, but doctors then put Bonnie in an induced coma to aid her recovery. After the singer awoke from the coma, she remained very unwell and in intensive care.
Bonnie, born Gaynor Hopkins, was a prominent figure in music, particularly in rock. The singer made her debut in 1976 and had a slew of hits, including the 1983 power ballad, “Total Eclipse Of The Heart”. The song earned Bonnie a Grammy nomination for Best Female Pop Vocal Performance and has been streamed over a billion times on Spotify alone. Bonnie’s other hits include “Holding Out For A Hero” and “It’s A Heartache”.
News of Bonnie’s death sent shockwaves across the industry, prompting tributes from celebrities and fans alike. Actress Catherine Zeta-Jones shared a touching tribute to the late singer, who was married to the actress’ cousin. In her post, Catherine described Bonnie as “an extraordinary woman with vocals to match” and “a one of a kind artist, who so easily could have been a comedian because she was one of the funniest people I ever met.”
Singer Rod Stewart wrote about Bonnie on his Instagram account, saying, “We shared similar styles of vocalizing. She was a good pal, a true soul stirrer. I sing ‘It’s A Heartache’ every night on tour. I’ll miss you darling Bonnie.” Other celebrities who also paid tribute to the late music icon include singer-songwriter Bryan Adams, singer Cliff Richard and actor Kevin Bacon, whose movie “Footloose” prominently featured Bonnie’s “Holding Out For A Hero”.
Having shaped the music and movie industry with her voice, Bonnie’s passing is indeed heartbreaking. We extend our condolences to her loved ones and team. May they find solace during this difficult time, and may she rest in peace.
The St. Regis Kuala Lumpur proudly announces the appointment of Marco Erba as Executive Chef. Bringing more than 15 years of international culinary expertise across Europe, the Middle East, Asia, and Australia, Chef Marco joins the House of Astor to lead its celebrated culinary program, further strengthening the hotel’s reputation as one of Malaysia’s most distinguished gastronomic destinations.
Having begun his culinary journey in 2010, Chef Marco has built an accomplished career spanning France, Italy, Australia, China, Qatar, South Korea, and now Malaysia. His international experience reflects a deep appreciation for diverse culinary traditions, refined techniques, and thoughtful innovation, shaped by years of leading multicultural culinary brigades within luxury hospitality.
SOURCE: ST. REGIS KUALA LUMPUR
Prior to joining The St. Regis Kuala Lumpur, Chef Marco served as Executive Chef at a renowned luxury hotel in Shanghai where he led the hotel’s culinary operations across its collection of dining destinations. Throughout his career, he has successfully spearheaded the opening of luxury hotel restaurants, conceptualized and curated menus across multiple dining concepts, and was honored with the Chef of the Year title at the China Feast Restaurant Awards. Guided by a collaborative leadership style and an unwavering commitment to culinary excellence, Chef Marco believes that exceptional dining begins with empowered teams, meticulous craftsmanship, and a genuine passion for hospitality.
At The St. Regis Kuala Lumpur, Chef Marco will oversee the hotel’s entire culinary portfolio, including The Brasserie, the hotel’s MICHELIN-Selected French restaurant; the elegant The Drawing Room, home to the celebrated St. Regis Afternoon Tea ritual; Crystal, the hotel’s sophisticated event and celebration venue; and the legendary Astor Bar, renowned for its timeless cocktail rituals and bespoke experiences. Together with his team, he will continue to elevate each destination while introducing thoughtfully curated culinary experiences that celebrate seasonality, craftsmanship, and the spirit of modern luxury.
“It is an honor to join The St. Regis Kuala Lumpur, renowned for its timeless traditions and exceptional hospitality,” said Chef Marco Erba. “I am proud to work alongside our dedicated culinary team. I look forward to creating thoughtful dining experiences that celebrate exceptional ingredients, refined craftsmanship, and the art of bringing people together.”
SOURCE: ST. REGIS KUALA LUMPUR
Philipp Haupenthal, General Manager of The St. Regis Kuala Lumpur, added, “We are delighted to welcome Marco to the House of Astor. His international expertise, creative vision, and passion for excellence make him a natural fit for our team. We are confident his leadership will further enrich our culinary offerings and continue to elevate The St. Regis Kuala Lumpur as a premier gastronomic destination.”
Chef Marco’s appointment marks an exciting new chapter for The St. Regis Kuala Lumpur as the hotel continues to redefine luxury hospitality through exceptional gastronomy, gracious service, and timeless traditions. Under his culinary leadership, the House of Astor is poised to further strengthen its position as a benchmark for refined dining in Malaysia, where every experience is thoughtfully crafted and every moment is designed to be remembered.
