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If you’re a “Looney Tunes” fan, you’ll know the story behind “Coyote vs ACME” and its struggle for a release date. After years of uncertainty, the animated film is finally coming to theatres later this year.
On 15th April 2026 (Wednesday), “Coyote vs ACME” opened its official social media accounts before sharing the long-awaited announcement of the film’s theatrical release date. According to the official poster, the movie will be released globally on 28th August 2026 (Friday). The film follows Wile E. Coyote as he teams up with attorney Kevin Avery to sue ACME for allegedly selling him faulty products that resulted in his many failed attempts to hunt the Road Runner.
The movie stars Will Forte, John Cena and Lana Connor, with story by Samy Burch, James Gunn and Jeremy Slater, and Dave Green as director. Notably, “Coyote vs ACME” have been in development for over a decade, with production mostly complete by early 2023. However, Warner Bros. infamously shelved the film in late 2023 to obtain a tax write-off following its merger with Discovery.
Understandably, fans criticised the move, prompting the media conglomerate to reverse its decision and allow the filmmakers to seek other distributors. Ketchup Entertainment ultimately acquired the rights to the film in March 2025 for US$50 million (approximately RM198 million), beating Netflix, Amazon and Paramount. Ketchup Entertainment also has distribution rights to Warner Bros. Animation’s “The Day The Earth Blew Up”.
Funnily enough, the team behind “Coyote vs ACME” also poked fun at Warner Bros. Discovery with their first teaser. In the video, Wile E. Coyote holds his iconic picket signs to say “Happy Tax Day” and “Check your write-offs”, an obvious dig at the studio’s previous decision to shelve the movie. The teaser also announced that the film’s official trailer will be released next week.
Given how long it took for the movie to confirm a release date, it’s no surprise that fans are excited to see the movie in theatres. The movie will also premiere in Malaysia at Golden Screen Cinemas (GSC) locations.
Set within the newly-launched Regent Bali Canggu, CURE Bali is now open. Created by Michelin-starred chef Andrew Walsh, the restaurant introduces a dining experience where modern European technique meets the depth and vibrancy of Asian flavours, shaped by Bali’s coastal setting and warm hospitality.
“CURE has always been about the balance between heritage and discovery,” says Andrew Walsh, Concept Founder of CURE. “Opening in Bali felt like a natural evolution. The island carries an incredible energy, a deep culture of hospitality, and extraordinary produce. CURE Bali reflects that spirit – modern European technique expressed through Asian flavours, while embracing the warmth and generosity that defines Bali.”
A Culinary Dialogue Between Europe and Asia
At the centre of the experience is CURE Dining Room, an intimate seaside restaurant where menus are guided by European culinary technique and layered with Asian influences. Exceptional seafood, premium meats, and seasonal produce allows flavours to unfold through texture, balance, and restraint. Many dishes explore curing techniques that deepen flavour while maintaining freshness, presented through a sharing-style menu designed to encourage connection and discovery at the table.
Among the highlights is the Giant River Prawn, a dish that bridges French culinary tradition with Southeast Asian vibrancy. Charcoal-grilled prawn is paired with tom yum and a delicate prawn dumpling, finished with a rich bisque infused with butter and aromatic herbs. Another signature, Hokkaido Scallop, draws inspiration from mangut, the traditional Yogyakarta stew known for its smoky coconut broth. Here, the flavours are reinterpreted through a lighter composition of thinly sliced scallops, compressed watermelon, and spiced coconut broth finished with burnt scallion oil.
Bar Nua Presents a Ritual of Cocktails by the Sea
Complementing the dining room is a seaside bar named Bar Nua. Derived from “Nua”, the Irish word for “new”, the bar revisits classic cocktail structures through modern culinary techniques, Asian influences, and locally sourced ingredients. From sunset aperitifs to late-night conversations, the experience unfolds with ease against the backdrop of the sea, offering a relaxed counterpoint to the dining room.
Inside CURE Bali, the design remains understated and refined. The restaurant features clean lines, curated lighting, and subtle references to Nordic coastal vegetation. Tables are intentionally minimal, with focused lighting that draws attention to the food, wine, and conversation, allowing the table itself to become the centre of the experience.
Open Tuesday to Saturday evenings, the restaurant invites guests to slow down, savour, and engage with food in a way that reflects both craftsmanship and connection.
It’s a new weekend in the Klang Valley, which means a whole new list of exciting events to look forward to! If you’re looking for something fun to fill your weekend agenda, here’s our list of events – curated just for you!
This week, we have many exciting concerts lined up for you, including a concert from K-Pop sensation WOODZ, a live variety show featuring Hong Kong and homegrown stars, a special performance from the Malaysian Philharmonic Orchestra, and a mini K-Pop showcase featuring local acts.
2026 WOODZ WORLD TOUR ‘Archive. 1’ in KUALA LUMPUR
IHG Hotels & Resorts (IHG) has signed the second Kimpton hotel in Malaysia, announcing Kimpton Kota Kinabalu. Set along the iconic Tanjung Aru shoreline and slated to open in 2031, the 350-key, beachfront retreat will bring the brand’s signature human-first hospitality, bold design, and local curiosity to Sabah’s coast. It will offer beach access and breathtaking views of Mount Kinabalu, with public spaces and programming designed to celebrate local culture, music, and cuisine.
Known for making every stay feel personal, Kimpton will deliver lively social spaces, thoughtfully curated dining and bar destinations, wellness offerings, and onsite experiences that highlight Sabah’s natural and creative talents. Expect a local hub where guests and neighbours gather for sunset cocktails, artist showcases, and bespoke itineraries that connect to the island’s ecology and communities.
Source: Unsplash/David Morris Manurung
“We will triple our Luxury and Lifestyle portfolio in Malaysia within the next few years, and we’re proud to be part of Malaysia’s growth story,” Bryan Chan, Vice President, Development, South East Asia & Korea, IHG Hotels & Resorts said. “Kimpton Kota Kinabalu marks our second Kimpton property in the country, following the highly anticipated opening of Kimpton Naluria Kuala Lumpur at Tun Razak Exchange just a few months ago. It introduces this globally recognised brand – with its personal service and creative spaces – to bring more lifestyle-oriented experiences to the city’s beachfront offerings.”
“With its stunning coastal setting, Kimpton Kota Kinabalu is perfectly positioned to write the next chapter of IHG’s luxury & lifestyle growth story in Malaysia. This opening will further strengthen our presence as we expand our brands across the nation’s most sought-after destinations. Sabah, with Kota Kinabalu as its gateway, continues to grow and offers a lot of opportunities for the future.”
Source: Unsplash/Jiachen Lin
“Kimpton Kota Kinabalu will be the city’s first beachfront luxury lifestyle hotel at Tanjung Aru Beach,” Claire Tan, Director, Pekah Beach Resorts Sdn Bhd said. “Its focus on thoughtful hospitality, distinctive design, and authentic social connection, reflecting the destination.”
The hotel will feature several dining destinations including an all-day dining restaurant, a Beach Club, and a specialty dining venue. Leisure offerings will include a pool bar, swimming pools, fitness, and wellness facilities. For private and social events, there will be flexible function rooms, as well as a lounge designed for relaxed entertainment for all guests.
Globally, the Kimpton brand continues to expand with more than 80 hotels open and more than 60 hotels in the pipeline. In Southeast Asia, three Kimpton hotels are already welcoming guests and six more are set to launch in the coming years including Kimpton Suntaya Bali Ubud, IHG’s first Kimpton in Indonesia, opening this year.
It was a shock to many Dato Sri Siti Nurhaliza fans after news circulated that the beloved singer was involved in a car accident. Thankfully, the national songstress is safe and sound, albeit with some minor injuries, and has even taken to social media to reassure her worried fans.
According to reports, the singer was involved in a four-car collision that happened along the MEX Highway (KM14.2) on 16th April 2026 (Thursday). Siti and her manager, Rozi Sangdewi, who was travelling in a separate car, were returning home from a performance at Sepang when the accident occurred. Rozi later shared that Siti sustained minor injuries to her leg and has received further treatment.
It’s unclear what or who caused the accident. Nevertheless, the news sparked major concern amongst fans. Footage and pictures of Siti during the crash have also circulated online. One netizen travelling along the highway at the time of the incident shared a photo of Rozi tending to Siti while on the side of the road. Meanwhile, dashcam footage of the crash showed the star stepping out of the car, looking visibly in pain.
Siti would later share a video on her social media accounts to update on her condition and reassure fans of her safety. In the video, the 47-year-old appeared with her son Afwa, who said to the camera, “Alhamdulilah, mum is alright”. Siti would continue, thanking fans for their well-wishes and prayers, noting that she didn’t sustain any major injuries. She also mentioned that she has already been treated for her injuries and will continue resting.
Online, fans continue to express concern for Siti. Many took to the comment section of her video to wish her a speedy recovery and send prayers for her well-being. Some also shared some get-well-soon wishes to her manager and staff. Funnily, a few fans even cracked innocuous jokes about the incident and pointed out how the entire nation was worried for the singer. Siti has also reacted to the jokes, laughing along with fans.
It’s reassuring to hear that Siti is safe and doing well after the accident. We also wish her a smooth recovery and hope she’ll be back to her usual self soon.
Syed Saddiq and Bella Astillah’s love story has become the envy of many, with fans noting the politician’s clear adoration for the actress. However, one social media user recently made a bombshell claim, alleging Syed’s infidelity.
Earlier this week, a Threads account by the handle ‘daddyrealfacts’ accused Syed Saddiq of contacting other women while dating Bella Astillah. The anonymous user claimed that the 33-year-old sent them a DM through Instagram during Ramadan. The post also includes an image of a phone displaying the alleged DM from Syed. However, the user never disclosed any additional details of the purported interaction.
Nevertheless, the post went viral, garnering tons of attention and comments. While Syed hasn’t spoken on the allegations, his personal assistant Amir Fiqri has responded to the Threads post. In his reply, Amir called out the original poster for spreading unfounded rumours while hiding behind an anonymous account. He also revealed that he had contacted the user regarding the issue, receiving a lengthy reply in return.
However, the response notably shared no detail or proof of Syed’s supposed inappropriate actions. While the user said they want to settle the matter amicably with Amir and the politician’s team, they also claim they would forward the issue to Singaporean influencer Sarah Yasmine if necessary. Amir also asked for the user to reveal their identity, only to have them share another lengthy reply.
SOURCES: THREADS (@amir_fiqri)
Netizens have commented on the whole ordeal, expressing scepticism over the Threads user’s claims. Many also wondered if the allegation is an attempt to damage Syed’s reputation. Some also questioned their motive for reaching out to Sarah Yasmine, wondering what authority the influencer has on the matter. For those wondering, the influencer previously exposed actor Aliff Aziz’s infidelity, revealing that they were dating while he was married to Bella.
For now, the claims remain groundless, and fans continue to express support for Syed and Bella. However, we hope the former would quickly clear the air before things escalate.
“The Drama” asks for something deceptively simple: unquestioned empathy. And that, more than anything, is what makes it so divisive. Directed by Kristoffer Borgli, the film follows Emma (Zendaya) and Charlie (Robert Pattinson) in the days leading up to their wedding. On the surface, they are perfectly matched—professionally, aesthetically, aspirationally. He’s a museum curator, she’s a literary editor, and together they inhabit the kind of carefully curated New York townhouse that feels lifted from a Pinterest board for artsy millennial domesticity. Their life reads as idyllic, almost to a fault.
The film opens with Charlie rehearsing his wedding speech; earnest, poetic, moving enough to bring his best friend Mike (Mamoudou Athie) to tears. In recounting how he first met Emma, Charlie is immediately framed as the endearing soft boy archetype: slightly awkward, disarmingly sincere. He approaches her in a coffee shop, fumbling through conversation; initially speaking into her deaf ear, a plot-point that plays as charming rather than careless. When Emma gently suggests he start over, he does, and just like that, they click. Their early relationship unfolds through a series of warm, picturesque flashbacks, building a romance that feels both intimate and cinematic. Even when Charlie admits he lied about reading the book that sparked their first conversation, using it as a means to approach her, it registers less as deceit and more as a harmless, even lovable flaw.
Source: Instagram (@A24)
But the film is careful in how it constructs perception. What first appears charming begins, slowly, to shift.
In a parallel thread, Emma discusses her own wedding speech with her Maid of Honour, Rachel (Alana Haim), who cautions her against being too emotional– “Crying makes you look kinda ugly.” What might pass as a flippant joke lands with an edge, hinting at something sharper beneath Rachel’s exterior. This tonal tension deepens when Emma fondly recalls her first kiss with Charlie– locked inside his museum after sneaking in together, the alarm blaring– as romantic, while Rachel reframes it bluntly: “He trapped you.” It’s here we begin to see how perspective operates as a quiet antagonist in the film.
This idea carries into a dance rehearsal scene, where Emma and Charlie clash for the first time. Their choreographed routine is technically sound, but while Charlie insists on perfecting every movement, Emma pushes for spontaneity, for feeling. “It’s a wedding,” their instructor, (Celia Rowlson-Hall) reminds them. “It’s performative by nature.” The line lands as both commentary on the spectacle of weddings and a broader reflection on relationships themselves: constructed, rehearsed, negotiated.
The film’s central conflict emerges as an inevitability. At a pre-wedding dinner with Mike and Rachel, a casual debate about whether to fire their DJ spirals into something far more revealing. Emma hesitates, suggesting compassion: what if they caught the DJ on her worst day? The others disagree. In their world, being caught necessitates consequence. Empathy, it seems, is conditional.
Rachel introduces a game: “What’s the worst thing you’ve ever done?”, a supposed bonding exercise she claims brought her and Mike closer before their own wedding. What follows is a series of confessions that expose the moral elasticity of each character. Mike admits to using an ex-girlfriend as a human shield during a dog attack. Rachel recounts locking a “slow” child in a trailer overnight, dismissing it as a thoughtless act of youth. Charlie shares that he cyberbullied a classmate into moving away, expressing genuine remorse.
Source: Instagram @A24
Then it’s Emma’s turn.
She reveals that, at 14, she planned a school shooting. She had access to a weapon. She intended to follow through. But she didn’t.
The shift in atmosphere is immediate and irreversible. Rachel is the first to respond, invoking her cousin’s disability as a way to centre herself within the narrative. The conversation fractures. Emma attempts to contextualise– explaining the bullying she endured, her fixation on the aesthetics rather than the violence, the moment that ultimately stopped her– but the damage is done. Empathy, once freely extended to others, is abruptly withheld from her.
What follows is the emotional core of the film: Emma and Charlie, alone with the weight of this revelation. Through striking match cuts that blur memory and imagination, we see Emma’s past unfold alongside her present, her trauma, her near-mistake, and the life she built in response to it. Her deafness, revealed to be the result of mishandling a rifle, becomes a permanent echo of who she once was. Her activism against gun violence becomes her atonement.
Emma has done the work. The film makes that clear.
But “The Drama” is less interested in redemption than it is in whether redemption is enough.
Source: Instagram @TheDrama
Charlie struggles to reconcile the woman he loves with the person she almost became. He searches for frameworks, asking friends, colleagues, and anyone who might offer a definitive answer, but none exist. His confusion mirrors that of the audience. What does empathy look like when the harm is hypothetical but the intent was real? Is it more important that Emma planned it, or that she didn’t go through with it? And who gets to decide?
Rachel, meanwhile, becomes the film’s most incisive character study. At once antagonist and comic relief, she embodies a selective morality that thrives on perception. She demands empathy for herself while denying it to others, weaponising information to maintain her social standing. Her own past, arguably the most disturbing, is reframed as trivial, while Emma’s becomes unforgivable. It is hypocrisy, sharpened into performance.
Source: Instagram @A24
Charlie’s own moral standing begins to erode. He cheats on Emma, briefly, impulsively, and later humiliates her in a rambling wedding speech that exposes their private struggles. Yet the film lingers on his turmoil, often at the expense of Emma’s. Despite being the emotional anchor of the relationship, Emma is repeatedly asked to manage, to soothe, to reset. “Start over,” she tells him, again and again and again, granting him the grace he struggles to extend to her.
This imbalance feels intentional, if frustrating. “The Drama” positions Charlie as a proxy for the audience, forcing us to sit with his discomfort, his inability to reconcile empathy with judgement. But in doing so, it risks sidelining the more compelling narrative: Emma’s.
Source: Instagram @A24
Still, the film succeeds in what it sets out to do. It is both an engaging relationship drama and an unsettling exploration of empathy as a social currency; who deserves it, who withholds it, and why. Anchored by deeply affecting performances from Zendaya and Robert Pattinson, the emotional weight of the story never feels unearned.
In its final moments, the film returns to intimacy. Emma and Charlie, still in their wedding clothes, sit in a diner, physically and emotionally worn down. And once again, Emma extends her hand to start over.
