This is slide 1 description. Go to Edit HTML and replace these sentences with your own words. This is a Blogger template by Lasantha - PremiumBloggerTemplates.com...
This is Slide 2 Title
This is slide 2 description. Go to Edit HTML and replace these sentences with your own words. This is a Blogger template by Lasantha - PremiumBloggerTemplates.com...
This is Slide 3 Title
This is slide 3 description. Go to Edit HTML and replace these sentences with your own words. This is a Blogger template by Lasantha - PremiumBloggerTemplates.com...
The highly anticipated third season of “Euphoria” premiered over the weekend, sparking major discussion on social media. While the HBO drama series has always been controversial, many viewers have raised questions about the storyline involving Cassie.
In case you’re unfamiliar with the show, “Euphoria” follows a group of troubled high school students as they deal with issues involving love, sex, drugs and addiction. The third season premiered on 12th April 2026 (Sunday) and sees a time jump, with the main cast now all adults. In the latest season, Cassie, played by Sydney Sweeney, becomes an OnlyFans creator to bolster her and her partner Nate’s income.
Unfortunately, this storyline didn’t sit well with the viewers, even after two seasons of controversial plots. The backlash only grew after a scene from the first episode went viral, depicting Cassie posing provocatively in a dog outfit while being chained to a leash. Some fans even accused show creator Sam Levinson of promoting misogyny and degrading the female characters. However, the filmmaker has defended his choice for the show in a recent interview.
Speaking to The Hollywood Reporter, Sam said that it was an intentional choice to have Cassie do a sexy dog photoshoot, explaining that it provided contrast to the scene and its setting. Cinematographer Marcell Rév notes that the scene takes place in Cassie and Nate’s tacky and outdated mid-century home. As such, creating OnlyFans content in that gaudy environment offers an interesting disparity.
Sam then adds, “(Cassie) has got her dog house and her little dog ears and the nose, and that has its own humour, but what makes the scene is the fact that her housekeeper is the one filming it.” He continues, “What we wanted to always find is the other layer of absurdity that we’re able to tie into it so that we’re not too inside of her fantasy or illusion — the gag is to jump out, to break the wall.”
With only the first episode out, and more to come in the following weeks, it’s unclear whether the audience’s opinion of the storyline would change. Regardless, it’s safe to say that the third season of “Euphoria” has gotten people talking.
Drawing over 100,000 people across two weekends, Coachella began in 1999 as a pushback against skyrocketing concert prices. Founded by Paul Tollett and Rick Van Santen, it started as a rock-focused, anti-Woodstock alternative– affordable, safe, and music-first. Back in 2001, tickets were just $65, with headliners like Weezer and Fatboy Slim.
Since then, it’s grown into something much bigger. No longer a niche for rock fans and hippies, Coachella is now a full-scale cultural production, with tickets upwards of $499 and a guest list that includes celebrities, brands, influencers, and fashion’s elite. As we wrap up weekend one of Coachella 2026, let’s look at some of the standout moments from this year’s Coachella Valley Music Festival.
KATSEYE brings out suprise guest HUNTR/X for a performance of “Golden” halfway through their Coachella set.
Source: Korea JoongAng Daily
This year’s line-up didn’t just deliver on star power; it thrived on shared moments. Across stages, artists leaned into collaboration as a way to elevate their sets, blur genre lines, and create something more dynamic than a solo performance. Whether it was surprise guest appearances, cross-generational link-ups, or cinematic staging that brought in actors and narrative elements, Coachella 2026 felt less like a series of individual acts and more like a conversation between artists. It set the tone for a weekend where the most memorable moments weren’t about who performed but who they brought with them.
Sabrina Carpenter kicked off her Broadway-style headlining set with a cameo from Susan Sarandon, playing an older version of the star. Fans were transported to “Sabrinawood” for a full hour and a half, complete with a Hollywood Walk of Fame and a full water show. It was big, campy, theatrical, and exactly what we’ve come to expect from the Short n’ Sweet singer. Her setlist leaned into newer, viral moments like “House Tour” and “When Did You Get Hot,” leaving out older fan favourites like “Nonsense” and “Fast Times.”
Saturday also saw KATSEYE’s Coachella debut. They opened with their new single “Pinky Up,” performed sans Manon Bannerman, who was later spotted in the crowd supporting the group. Midway through, they brought out HUNTR/X to perform “Golden” from the K-pop Demon Hunters film, a collaboration that felt natural given their overlapping fandoms, and added a refreshing new dimension to KATSEYE’s sound.
Back on the Coachella stage, The xx returned for the first time in eight years. Jamie Smith, Oliver Sim, and Romy Madley Croft, dressed in their signature all-black, opened with “Crystalised” as if no time had passed. While the group has been on hiatus, none of them have been idle; Jamie xx remains a festival staple, Romy stepped into her own with the club-driven “Mid Air”, and Sim explored darker, minimalist sounds with “Hideous Bastard.”
Their return was a reminder of just how timeless they are. It’s hard to imagine artists like Billie Eilish without the blueprint The xx laid down. Closing with “Intro,” they proved that stepping away doesn’t diminish legacy– it refines it.
Over at the Mojave Tent, Ethel Cain delivered one of the weekend’s most haunting performances. The Florida-born singer set the tone early with a billboard on the road to the festival reading, “Go see Ethel Cain or the Devil will get you,” a nod to old American highway signage. Her performance of “Ptolemaea” was eerie and electric, with fans calling her “the epitome of disturbs the comfortable, comforts the disturbed” and it’s hard to disagree.
Saturday kept the momentum going with more standout sets. Addison Rae continued her evolution from TikTok dancer to one of pop’s most divisive, and interesting, figures. Her Coachella set leaned fully into camp: Moulin Rouge-esque, unapologetically 2000s, and hyper-referential. Opening with “Diet Pepsi,” she moved through tracks like “Obsessed” and “Money Is Everything,” complete with a faux money boa and high-energy crowd moments.
Addison Rae donnes a money boa while performing hit song “Money is Everything.” Source: USweekly
The choreography was just as varied; TikTok punchiness met belly dancing, vogue, and even a contemporary routine featuring Maddie Ziegler. Love her or not, Rae is clearly tapped into the pulse of pop culture– and maybe we’re just catching up.
One of the most coveted time slots, the Outdoor Theatre at sunset, went to sombr, who drew a massive crowd spilling across the grounds. Kicking off with “Homewrecker,” he moved through a set that leaned into his alternative roots before bringing out Billy Corgan of The Smashing Pumpkins for “1979.”
The collaboration felt effortless, bridging generations in a way that more young artists are embracing– think Olivia Rodrigo bringing out Robert Smith at Glastonbury. It’s a reminder that these moments don’t just celebrate influence, they introduce it to entirely new audiences.
Sombr & Billy Corgan’s performance of “1979”
Source: Rolling Stone
Speaking of legends, The Strokes returned to the stage for the first time in 15 years since their 2011 headline slot. Mixing their latest single “Going Shopping” with classics like “Someday,” “Last Nite,” and “The Adults Are Talking,” the band proved they’ve only gotten tighter with time.
Frontman Julian Casablancas joked that their role this year was simply to warm up the stage, telling the crowd, “I wanna thank you for fulfilling our lifelong dream of opening for Justin Bieber.”
And finally Bieberchella 2026.
Source: Pitchfork
Justin Bieber’s return to the Coachella main stage marked his first major live performance since cancelling his 2022 tour due to health issues. Fans went in with questions: would he lean into nostalgia or focus on new material?
The answer was both, delivered in the most unexpected way.
Bieber opted for a stripped-back, almost minimalist setup– a stark contrast to the high-production sets surrounding him. He opened with tracks from “SWAG I” and “SWAG II”, mirroring the intimate setlist from his Troubadour show earlier this month, before pausing to give a soft shoutout to his wife and son: “Hailey, babe, hallelujah. Baby Jack, hallelujah.”
Then came the shift.
Bieber’s duet with his younger self during his Coachella Set.
Source: People
A laptop opened, Bieber launched into his biggest hits: “Beauty and a Beat,” “Sorry,” “One Less Lonely Girl” with his old YouTube videos playing behind him. In a moment that felt both meta and emotional, he harmonised with clips of his younger self, even revisiting early covers like Chris Brown’s “With You” and Ne-Yo’s “So Sick.”
It was experimental, nostalgic, and divisive. Some called it powerful performance art, a moment of healing for both Bieber and the fans who grew up with him. Others saw it as underwhelming, even lazy.
But regardless of where you land, one thing is undeniable: Bieber still has it. Selling out both weekends in just a few days, his pull remains unmatched. Nostalgia is a powerful thing, and heading into weekend two, it’s clear that Bieber fever is very, very real.
Meet the Carlo Rino Matrix Series collection – polished structure, lightweight, and everyday elegance designed with a soft, easy build for wherever the day takes you. The collection embodies strength, balance, and stability, perfect for the woman who embraces detours, new textures, and light-filled moments along the way.
Bursting with structure and personality, the Matrix Series Collection captivates with its pastel-toned silhouettes, fluid lines, and checkered patterns that can make a lasting statement wherever you go. On top of that, each piece perfectly matches every mood and occasion, letting you own your style and command attention.
The collection features a line-up of six bag styles, each thoughtfully designed in a variety of sizes and silhouettes to suit your daily needs and preferences. Available in four colourways: beige, dark yellow, honeysuckle, and medium-green, the bags – Cargo S, Cargo M, Tote Bag, Shoulder Bag, Box Bag, and Boston – offer a soft yet vibrant palette that complements the Spring/Summer season.
A concept geared for the fashion-forward woman who moves seamlessly through her day with various emotions – calm, playful, confident, and expressive, the collection exudes grace and versatility. The structured silhouettes and soft tones assure it works in both formal and casual settings. Whether you’re heading to the office, spending the day out with the girls, or going out for some quick errands, the Matrix Series elevates your outfit with minimal effort and will keep you organised without weighing you down.
Every purchase of the Matrix Series Collection comes with Carlo Rino’s latest fun plush figures, BLOO, worth RM79. Available in 5 vibrant colours, the BLOO collectibles bring personality and charm to your everyday bag, making even the simplest outings playful and fun. Mix, match, and carry your chosen plushie wherever you go!
Built for durability and eye-catching style, the Matrix Series Collection effortlessly supports the rhythm of your life. It moves with you, adapting to the shape of your day, your pace, and your need for lightness.
Explore the Matrix Series Collection now at Carlo Rino, and follow the fun on Instagram, TikTok, and Facebook. Drop by any of Carlo Rino’s boutiques to see the collection up close.
Get ready, ELFs in Malaysia! Less than a year after bringing their anniversary concert to Kuala Lumpur, Super Junior (슈퍼주니어) members Leeteuk (이특) and Heechul (희철) are set to return this September with their first fancon as a duo!
Earlier this week, Leeteuk and Heechul announced the dates and stops for their upcoming fancon tour to commemorate their debut as Super Junior-83z (슈퍼주니어-83z). The “1983” tour will take place on 13th September 2026 (Sunday) at Mega Star Arena. CK Star Entertainment is the organiser of the event and will share more information about the show, including ticketing, on a later date.
SOURCES: TWITTER (@SJofficial)
The tour announcement comes after news that Leeteuk and Heechul will make their unit debut later this year. The unit name Super Junior-83z, and the tour name, is a reference to the two same-age idols’ birth years. The duo previously received positive reactions when they performed the unreleased song, “Onsaemiro”, at Super Junior’s “Super Show 10” encore concert earlier this month. Here’s what we know about the fancon so far:
Super Junior-83z (Leeteuk & Heechul) Fancon Tour “1983” in Kuala Lumpur
Date: 13th September 2026 (Sunday)
Time: TBA
Venue: Mega Star Arena
Organiser: CK Star Entertainment
Ticket Sale: TBA
SOURCES: TWITTER (@SJofficial)
Stay tuned to this space and CK Star Entertainment’s official social media pages for more information on the concert. Are you excited to see Super Junior-83z in KL?
In celebration of Visit Malaysia 2026, Marriott Bonvoy, Marriott International’s award-winning travel program and extraordinary portfolio of hotel brands, invites Malaysians to rediscover the beauty, diversity, and spirit of home through a celebration of travel that encourages meaningful journeys across the country.
From vibrant city escapes and cultural enclaves to coastal hideaways and restorative retreats, Malaysia offers countless ways to reconnect — not only with a destination, but with the moments, flavours, and landscapes that make travel within the country so special. Whether reached by flight, ferry, or a scenic drive, each journey becomes an opportunity to experience Malaysia from a fresh perspective.
At a time when travellers are increasingly seeking experiences that feel more intentional and closer to heart, the campaign celebrates the joy of exploring what is already within reach — familiar places seen anew, hidden gems waiting to be uncovered, and destinations that continue to surprise with every visit.
As part of the offer, guests can enjoy: RM50 F&B credit per room, per night, which can be accumulated throughout their stay.
25% off food and beverage at participating outlets across Malaysia.
Marriott Bonvoy members get an additional 5% off for stays.
Thoughtfully designed to complement the journey, the offer invites travellers to linger a little longer, dine a little better, and embrace more of what makes each destination memorable — from sunrise breakfasts and leisurely afternoons to meaningful meals shared with loved ones.
Throughout each stay, travellers are invited to slow down, reconnect, and experience the country more meaningfully — whether through shared meals, quiet moments by the sea, familiar flavours, or the simple joy of discovering somewhere new together.
Whether rediscovering familiar favourites or venturing somewhere new, the campaign invites travellers to experience Malaysia through fresh perspectives — from vibrant urban stays and cultural enclaves to island hideaways and restorative escapes.
Through this campaign, Marriott Bonvoy hopes to encourage more Malaysians to travel deeper, stay curious, and appreciate the richness of the country in ways both simple and memorable — one journey, one destination, and one meaningful stay at a time.
Renowned singer-songwriter and member of K-pop girl group Blackpink, Jennie is back with another venture. This time, the star has teamed up with Ray-Ban and Ray-Ban Meta as their newest global ambassador. Equally acclaimed for her timeless sense of style as much as her unique talent, she’s a living embodiment of the brand’s DNA.
“I’m really happy to be partnering with Ray-Ban – it felt natural from the beginning,” says Jennie. “To me, confidence isn’t loud; it comes from feeling comfortable with yourself and expressing who you are in a quiet way. Ray-Ban has that same energy: simple, expressive and easy to live in. I love pieces that stay with you every day and become part of your mood, and this collaboration fits perfectly into that.”
The latest campaign captures Jennie’s radical aesthetic, expressive energy, and fearless sense of self. A nod to her stage name, Jennie Ruby Jane, the visuals for Ray-Ban are brazen yet minimal, rich with hints of deep red. Meanwhile, the Ray-Ban Meta campaign casts her soft blue hues showcasing styles that match Jennie’s unfiltered confidence.
Jennie appears in ’90s-inspired wrap shields, vintage influenced metal frames, and retro cat-eye silhouettes. Each design supports all-day wear, focusing on comfort and usability. The “Mantra” singer brings a clear voice to the collaboration, shaping how the brand communicates ideas around confidence, style, and everyday expression.
These styles are available for purchase in Ray-Ban stores, EssilorLuxottica retail locations including Sunglass Hut, and select optical retail partner stores in Malaysia.
The first-ever Red Bull Dance Your Style Asia Tour stop has landed in Malaysia and our local dance scene came alive and proved its place on the global stage. This landmark event brought world-champion energy to the country through a series of workshops and live showcases featuring international guest dancers Majid, Waackxxxy, Poppin’ C, and The D Soraki, who fully immersed themselves in the local culture during their visit.
Majid and Poppin’ C led intensive workshops to arm Malaysian dancers with the technical skills and insights needed for the global stage. Additionally, the global dancers and the local community joined forces at a public showcase in Bukit Bintang to celebrate the bright future of Malaysian street dance.
“It is my first time in Malaysia, and I’ve been surprised by the level of skill here,” said Majid after the workshop. “There are some really solid dancers in this scene who have a lot of potential. My advice to the dancers here is to just stay consistent, be yourself, and keep that hunger.”
During their visit, the global dancers have also crowned Lim Yeow Hwee (Marcus), 26, from Johor Bahru, and Kayllash Thiagarajan, 19, from Kuala Lumpur, as the hometown heroes who will go on to represent the country at the first-ever Red Bull Dance Your Style Regional Finals in Singapore on 25th April. The duo will go up against the top dancers from Brunei, Cambodia, Laos, Myanmar, Timor-Leste, Vietnam, and Singapore to secure their ticket to the Red Bull Dance Your Style World Final in Zurich, Switzerland, this October.
“It feels like a huge honour to represent Malaysia at the first-ever Southeast Asia Regional Finals,” said Marcus. “I do feel some pressure because I’m representing the entire Malaysian dance scene, but I’m mostly excited to share my style. Our dance culture is special because of our mix of influences – there is so much individuality and passion here, and I really want the world to see that side of Malaysia.”
For Kayllash, this achievement marks a massive personal and professional milestone. “I feel honoured and grateful for the opportunity. Since it’s my first time joining Red Bull Dance Your Style, this is a completely new experience for me,” he shared. “I think this shows that the Malaysian dance scene has come a long way and we are finally getting the recognition we deserve. For my preparation, I’m just staying true to myself and being as honest as possible through my dance.”
Beyond their personal victories, Marcus and Kayllash advancing to the Regional Finals is undeniable proof that Malaysia’s street dance community is ready to stand alongside the world’s best, bringing its own unique flavour and energy to the international spotlight.
For more information, visit Red Bull Dance’s official website.
Whether rediscovering familiar favourites or venturing somewhere new, the campaign invites travellers to experience Malaysia through fresh perspectives — from vibrant urban stays and cultural enclaves to island hideaways and restorative escapes.
