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It appears the “Fast” franchise continues to expand. Ahead of “Fast & Furious”’s 25th anniversary celebration, Vin Diesel announced plans for not one, not two, but four live-action series based on the franchise. While details are still scarce, here’s what we know about the shows so far:
There Will Be Four Shows
SOURCE: TWITTER (@TheFastSaga)
As aforementioned, Vin is looking to develop four series based on the franchise. During the announcement earlier this week, the actor explained the move, saying the studio wanted to expand the “Fast” franchise based on fans’ interest in seeing more about the characters. He also noted that the franchise had always planned to enter the TV space. However, talks for the series finally came after Universal Studios chief Donna Langley took charge of NBCUniversal’s TV operation last year.
Vin Diesel Will Serve As Executive Producer
SOURCE: TWITTER (@screenrant)
While it’s unclear whether any of the cast we know and love will star in the adaptation, Vin has confirmed his one role in the project: executive producer. Core “Fast” figures, producer Neal Moritz and writer Chris Morgan, are also joining the line of producers. Meanwhile, writers Mike Daniels and Wolfe Colman will serve as showrunners and also create the show’s pilot. The duo previously worked together on the NBC series “Shades of Blue”, starring Jennifer Lopez.
The Shows (Or One Of Them) Will Be Available On Peacock
SOURCE: TWITTER (@screenrant)
According to Vin Diesel, the four live-action series will launch under Peacock. However, a source inside the American streaming service clarified that only one “Fast & Furious” show is in active development. Some news outlets also reported that the adaptations are at various stages of development, but are under Universal Television. As for the release, all the shows will likely be available for streaming globally.
Since we’re still in the early stages of development, fans will have to wait for more details on the series. Meanwhile, the final “Fast” film, titled “Fast Forever”, has set a release date for 17th March 2028.
Unless you live under a rock, you’ve probably heard that British pop star Dua Lipa is suing Samsung Electronics for a shocking amount of money. Amid discussions about the lawsuit, the South Korean tech giant finally issued a rebuttal.
To recap the situation, Dua Lipa and her legal team recently filed a lawsuit for copyright and publicity rights infringement against Samsung Electronics at the Central District Court of California. The singer and her team alleged that the electronics company used her image without permission on the packaging boxes for their television sets. As a result, Dua Lipa’s team demanded US$15 million (approximately RM59 million) in compensation.
SOURCES: TWITTER (@Dexerto)
However, Samsung has since rejected the claims and shared its side of the situation. In a recent statement, the company noted that it previously used Dua Lipa’s image in its 2025 packaging to reflect the content of third-party partners available on its televisions. The tech giant clarified that a content partner had provided the image for its free streaming service, Samsung TV Plus.
Samsung also claimed the content partner explicitly assured that it had secured permission to use the image for production and marketing. However, Dua Lipa then raised the issue of unauthorised usage in July 2025, prompting Samsung to suspend production of the packaging and replace it with a different image. The company also entered mediation proceedings to settle the issue, but the singer’s team ultimately proceeded with the lawsuit.
The company said it has actively sought and remains open to a constructive resolution with Dua Lipa’s team, additionally pledging to continue negotiations with the pop star. Samsung also expressed great respect for the singer and the intellectual property rights of other artists. Dua Lipa’s team have yet to address Samsung’s recent statement, so it’s unclear whether they will proceed with the lawsuit.
Netizens have reacted to the lawsuit and Samsung’s statement with mixed reactions. Regardless of whatever happens, we hope both parties can settle this issue amicably.
It’s no surprise that fans would spend a fortune to support and meet their favourite artists. Recently, an influencer went viral for disclosing how much she spent to get a glimpse of actor Zhang Linghe (张凌赫) in China.
Earlier this week, Amy (Amy北美生存指南), a wealthy Taiwanese influencer based in the United States, garnered attention after sharing her “star-chasing” guide. The influencer recently travelled from the US to Hengdian, China, specifically to meet Zhang Linghe, who was filming in the area. Amy’s video shares the steps she took to ensure she met the actor, as well as the total cost of her trip.
According to Amy, the first step of meeting actors, particularly on filming sets, is to obtain what she calls the “big plan” notice. The notice is a production itinerary that lists the filming locations and the actors’ schedules. However, Amy never disclosed how or where she obtained the itinerary. Nevertheless, after confirming the schedule, she then booked her flight from the US to China.
Next is accommodation, which would vary in cost depending on where you stay. However, since hotel availability in Hengdian can be unpredictable, Amy had a third party help book suites. She noted that using a booking service costs RMB1,500 (approximately RM865) extra for what she had to pay for the room. After confirming her schedule, flight and accommodation, now comes the most important part of “star-chasing”, queuing.
In her video, Amy notes that having a good waiting spot is important to get the best view. Usually, fans would wait from the night before the filming to get the best seat. However, the influencer instead hired a queuing service where an individual queued in her place. She also paid an extra fee to ensure a front-row spot where Zhang Linghe would walk by. Some services can even secure a spot up to the last hour.
SOURCE: INSTAGRAM (@zhanglinghe__1230)
Shockingly, after all that effort and hours of waiting over three days, Amy revealed that she only saw Zhang Linghe in person for a total of 30 seconds. Regardless, the influencer said the experience was worth it. She also revealed the total cost of her “star-chasing” trip to be around NT$67,730 (approximately RM8,460) for three people, or RM2,820 per person, excluding the international airfare.
Netizens have reacted to the video, expressing awe at the money and effort Amy would put into seeing Zhang Linghe in person. Would you spend thousands just for a glimpse of your favourite celebrity?
Imagine getting a million ringgit worth of your business’s inventory stolen in just moments. That exact thing reportedly happened to Joven Neo, owner of local streetwear store STEALPLUG, who recently shared the devastating experience on social media.
Late last week, Joven took to Instagram to share an unfortunate announcement regarding his store. According to the entrepreneur, STEALPLUG recently suffered a significant loss after a man stole approximately RM1 million worth of inventory. The man in question is an individual Joven hired to move the store’s inventory from their office and warehouse. However, while moving the items, the man allegedly fled, taking with him the store’s inventory.
Joven noted that he had hired the man several times prior, but had never encountered such an issue. He also claimed that he tracked down an individual who worked for the man on the day of the incident, only to learn that the alleged thief had also scammed his employees out of their salaries. With no lead to the man’s whereabouts, Joven urged anyone with information or footage to reach out to him.
Unfortunately, Joven alleges that the stolen inventory consists of items that haven’t been paid for. As a result, he now purportedly owes his suppliers and cosigners upwards of RM1 million. In an effort to pay off the debt, the entrepreneur decides to sell off STEALPLUG’s remaining inventory and cease operations. According to the official announcement, the store will close down on 14th May 2026 (Thursday).
In conjunction with its sudden closure, the store is holding a final clearance at its Starhill location until its final day of operations. There will also be significant discounts on selected items, including sneakers, apparel, accessories and caps. The incident has since sparked widespread discussion and mixed reactions. While some expressed sympathy towards STEALPLUG and Joven for their loss, others questioned the veracity of the claims.
Nevertheless, we wish STEALPLUG and Joven all the best as they navigate this unfortunate incident. Let’s hope the store and its staff will be able to bounce back and return stronger after the significant loss.
Marks & Spencer (M&S) introduces BODY, a new lingerie collection designed to bring together confidence, comfort, and contemporary style through four distinct ranges: Body Invisibles, Body Sculpt, Body Soft, and Body Lace. Designed to look as good as it feels, each piece combines everyday ease with a sleek, flattering silhouette and an effortlessly chic edge, reimagining modern lingerie through form, function, and finesse.
BODY Invisibles: Feels Like Your Second Skin
Designed for all-day wear, BODY Invisibles delivers smooth, second-skin comfort that disappears under clothing while enhancing natural shape. Lightweight, breathable and barely there, these are the pieces you can rely on from morning commutes to evening plans, forming the quiet foundation of every outfit.
SOURCE: MARKS & SPENCER
The Wired Demi Cup Bra creates a natural, flattering shape with light padding and gentle lift, while smooth finishes ensure a discreet look under fitted tops, workwear and lightweight fabrics. Engineered with FlexifitTM 360-degree stretch, it adapts to the body’s movement throughout the day, while Cool ComfortTM technology helps keep you feeling fresh, making it ideal for long hours and on-the-go routines.
The Non-Wired Strapless Bra creates a fuss-free base for off-shoulder and occasion looks, with a supportive, lightly padded fit that shapes naturally without feeling restrictive. Its seamless finish sits discreetly under fitted clothing, while detachable multiway straps make it easy to adapt across different outfits and styling needs. Paired with the No VPL Shaping Briefs, designed with a high-rise fit and smooth, bonded edges, the range delivers a clean, no-show silhouette under even the lightest fabrics, with breathable comfort that keeps you feeling fresh throughout the day.
BODY Sculpt: Confidence with Every Curve
Designed to deliver a truly transformative shaping experience, BODY Sculpt is engineered to smooth, sculpt and lift in all the right places. Combining precision construction with advanced cooling technology, it offers powerful yet breathable support that moves effortlessly with the body.
The Seamless Non-Wired Bra offers a smooth, barely-there feel with a flexible fit that moves naturally with the body. Free from wires and padding, it provides gentle shaping through subtle structure while lifting and contouring for a naturally refined silhouette. Finished with a wide underband for dependable support, its breathable, lightweight construction makes it an effortless everyday essential designed for all-day comfort.
BODY Soft: As Soft as Second Skin
SOURCE: MARKS & SPENCER
Crafted for ultimate comfort, BODY Soft delivers a smooth, gentle feel against the skin with every wear. Designed with soft-touch fabrics and easy, flattering fits, the range is made for everyday ease without compromising on support.
The Wired Plunge T-Shirt Bra offers a smooth, natural shape under clothing, with light padding and a soft structure that feels comfortable throughout the day. Subtle lace detailing adds a refined, feminine touch, making it suitable for both everyday wear and more dressed-up moments.
The Non-Wired Full Cup Bra provides soft, flexible support with a lightweight feel, designed to sit smoothly under clothing while remaining comfortable for extended wear. Completing the range are the Lace Bikini Knickers crafted from soft, stretchy fabrics with gentle waistbands and flattering cuts, delivering everyday comfort with a clean, modern finish.
BODY Lace: Elevated Femininity
Lightweight, refined and designed for versatility, BODY Lace redefines lace as something to be worn beyond special occasions. It’s a softer, more wearable approach, balancing elegance with everyday ease.
The Lace Bodysuit anchors the range with a sleek, sculpted fit that contours the body while remaining breathable and comfortable. Designed for flexibility in styling, it works just as well under tailored pieces for a polished daytime look as it does layered for evenings out, making it an easy addition to a modern wardrobe.
With BODY, M&S introduces a new era for modern lingerie, where comfort and aesthetic are designed to exist together. Thoughtful, versatile and easy to wear, it is a collection made to support everyday moments, effortlessly.
Calling all MONSTIEZs in Malaysia! K-Pop sensations BABYMONSTER (베이비몬스터) recently announced the Asia and Oceania dates of their upcoming world tour, confirming that they’re returning to Kuala Lumpur this November!
Earlier today (Monday, 11th May 2026), BABYMONSTER dropped dates for the Asia and Oceania leg of their “춤 (CHOOM)” world tour. The girl group, affectionately known as BaeMon (베몬), will perform in eleven cities across the region, including Manila, Jakarta, Bangkok and Kuala Lumpur. Their show in KL will take place on 14th November 2026 (Saturday) at Unifi Arena (formerly Axiata Arena).
SOURCE: TWITTER (@YGBABYMONSTER_)
Live Nation Malaysia will share more details about the concert on a later date. This upcoming concert marks BABYMONSTER’s return to KL after their last concert in June 2025. The “춤 (CHOOM)” world tour is in support of the group’s latest mini album of the same name, which was released last week, on 4th May 2026 (Monday). The tour will also include stops in Europe, North America and South America. Here’s what we know about the concert so far:
BABYMONSTER “춤 (CHOOM)” World Tour in Kuala Lumpur
Stay tuned to Live Nation Malaysia’s official social media for more information on the concert. Are you excited for BABYMONSTER’s return to KL? In the meantime, check out the music video for their latest comeback, “춤 (CHOOM)”:
Ludi Lin is navigating the “Mortal Kombat 2” press junket with a black eye.
This is no cinematic artifice. The actor exudes a spirited, almost defiant confidence, clearly relishing the moment regardless of his physical state. It has been five years since our last encounter, but as we reconnected with him via Zoom during his stay at the Pan Pacific Orchard in Singapore, it was clear that the quintessence of Ludi Lin remains unchanged.
When we spoke to him, he had just been in the centrifugal force of a global tour for “Mortal Kombat 2”, which just released in Malaysian cinemas on the 7th of May, spiraling through Los Angeles and Jakarta in a matter of days. Yet, there’s a nonchalance about the bruise. He reveals the mark was earned during a sparring session just before the promotional machine reached full velocity. The timing, he concedes, was perhaps less than surgical, yet the injury is a secondary concern.
Credit: George Lawson Photography
“That’s real and that’s fun,” he says. There’s something about the way he treats this that makes him a total badass.
For audiences who have tracked Lin’s trajectory from the “Power Rangers” revival and “Aquaman” to the visceral carnage of the “Mortal Kombat” mythos, this temperament is entirely consistent. Over the past decade, the Chinese-Canadian actor has meticulously cultivated a career defined by rigorous physical demands, expertly oscillating between blockbuster bombast and a contemplative philosophy regarding art and purpose.
Now, half a decade after the first “Mortal Kombat” reboot emerged amidst the sterile uncertainty of a pandemic, Lin returns to the fray as Liu Kang. And now, he’s seasoned, battle-scarred, and imbued with an emotional gravity that far outweighs his previous iterations.
The journey toward the realization of “Mortal Kombat 2” has been a saga of endurance.
The genesis of the first installment was forged amidst the sterile isolation of a global pandemic, where visceral combat choreography was stifled by clinical protocols. Subsequent industry-wide labor disputes and fluctuating production schedules further threatened to stall the sequel’s momentum, casting the project into a liminal space not unlike the very realms the fighters inhabit.
Yet now, half a decade after the reboot first ignited the cultural zeitgeist, the ensemble has finally secured the one element that eluded them during their inaugural outing: authentic, unmediated connection.
“It feels awesome. It’s unimaginable how good it feels,” Lin says. “To be able to do this in person… to be able to have the premieres in person, to be able to do press in person with my castmates and actually physically touch each other, it’s great.”
There is a palpable gravity when he emphasizes the tactile nature of this reunion. It serves as a testament to a rapport deeply ingrained by weathering a singular epoch of history in tandem.
“We’re such a close family,” Lin reflects. “Not only on screen when we’re fighting and grabbing each other… and doing fatalities, but off screen too. As much as we fight on screen, we try to care for and love each other off screen.”
New Faces, Same Energy
The burgeoning roster of Mortal Kombat 2 necessitated a grand expansion of the ‘Choose Your Fighter’ pantheon, ushering in formidable presences like Karl Urban and Adeline Rudolph. Yet, according to Lin, this influx of established titans never threatened the production’s hard-won equilibrium; if anything, it solidified it.
Lin initially pivots to a dry, deadpan wit when asked about the newcomers. “Oh yeah, we don’t like them at all,” he quips. “We don’t hang out. We call them newbies. Or noobs.” But the jest is a playful mask for a profound camaraderie. “In fact, it felt like the first movie was us building a little nest for the rest of the family to migrate into the Mortal Kombat universe.”
That spirit of radical hospitality became the sequel’s defining ethos. Despite the escalating scale of the production, the atmosphere remained remarkably democratic, untouched by the ego-driven stratification that often plagues high-stakes filmmaking. “Sometimes there’s a hierarchy on film sets—the big stars and the newcomers,” Lin observes. “But it didn’t feel like that at all.”
“Everything felt like a round table. It felt like friends hanging out.”
This sense of communal intimacy transformed the blockbuster experience into something deeply personal. “Watching the movie honestly felt like when you’re kids making home videos with your camcorder,” he says. “That’s what the premieres have felt like. We made this little movie, and now we get to watch it together while sharing it with the rest of the world.”
The Fire Beneath Liu Kang
In “Mortal Kombat 2”, Lin’s Liu Kang returns burdened by a weight far heavier than the defense of Earthrealm. While the first installment centered on discovery, the sequel propels the character into a darker psychological landscape shaped by profound grief and unresolved loss.
At the heart of this emotional rupture is the death of Kung Lao, Liu Kang’s brother-in-arms. For Lin, this tragedy transcends the loss of a tactical ally; it represents the erasure of a foundational part of Liu Kang’s identity.
“You could see that he lost his brother,” Lin notes. “The person closest to him. They grew up together, trained together, and complemented each other. They were partners, and he lost him.”
Lin approaches this mourning with a quiet gravity, ensuring that the character’s pain resonates beneath the film’s trademark brutality. “For anyone who knows that kind of grief, it’s a very heavy place,” he says. “So definitely, he has a lot of grief inside him at the start of the second movie. A lot of fury, anger, and complex emotions.”
The Invisible Architects Of Action
Within the visceral, bone-shattering landscape of Mortal Kombat, Lin has cultivated a profound reverence for one of cinema’s most overlooked pillars: the stunt department. He is swift to deconstruct the “polished fallacy” of the omnicompetent movie star. It’s the industry myth that a single individual can master dramatic nuance, acrobatics, and precision combat simultaneously.
To Lin, these teams are the architects of a production’s kinetic vocabulary. Months before the first frame is captured, they are meticulously engineering the “previs”, which is the high-fidelity action blueprints that dictate everything from combat styles to camera placement. “They build the entire framework of the action before we ever step onto set,” Lin reveals.
Even with his own extensive martial pedigree, Lin remains tethered to this essential collaboration. While he cites co-star Max Huang as a rare physical phenomenon, he remains adamant that specialized expertise is irreplaceable. “You can’t expect actors to spend their lives mastering dramatic arts while also somehow being able to pull off a double backflip 540,” he says with a laugh. “That takes a lifetime of training.”
He recalls the sheer exhilaration of performing a canyon leap on the set of “Power Rangers” as a career highlight: “We got to do it ourselves… it was so much fun.” Yet, he insists such moments of individual triumph are only possible because of a human foundation. “As actors, we add emotion and soul to the fights, but the stunt team lays the groundwork. It’s truly collaborative art.”
This perspective makes the Academy’s recent decision to formally recognize stunt design particularly poignant. For Lin, it is more than a salute to the perils of the trade; it is the official canonization of a creative discipline that has, until now, shaped the evolution of modern spectacle from the shadows.
Art Without Shortcuts
For Lin, the art of the stunt is a visceral manifestation of effort. It is the very marrow of cinematic meaning. This reverence for tangible labor fuels his ambivalence toward the burgeoning influence of artificial intelligence. While he acknowledges AI as an inescapable fixture of modern workflows, he remains wary of the “temptation of convenience” over the sanctity of the struggle.
“It’s hard because AI is very tempting to embrace,” he notes, comparing the technology to digital shortcuts. “AI feels like using cheat codes in a video game. It’s tempting because it makes everything easier, but once you use it, that’s kind of the end of the game. You can’t go back.”
Source: Renit Fashionista, Ludi Lin Captured by Renit Fashionista
In Lin’s philosophy, art is not defined by the polished aesthetic of the final frame, but by the “irrefutable reality” of the process—the repetition and discovery that audiences sense instinctively beneath a performance. “A lot of art isn’t about the final product,” he insists. “It’s about the process.”
Invoking Christopher Nolan’s The Prestige, Lin suggests that the allure of cinema, much like magic, resides in the tension between the impossible feat and the mechanical grit required to manifest it. “What I love about magic is that everything feels impossible,” he says. “But behind it are real people building contraptions and figuring things out step by step.”
Ultimately, Lin fears that by bypassing this human industry in favor of binary algorithms, we risk a spiritual dead end. “With AI,” he concludes, “you lose the journey, and eventually you lose the emotional connection and the fun.”
Half a decade ago, Lin famously remarked that Asians were the late arrivals to the Hollywood gala—a demographic that, having been denied an invitation for so long, had no choice but to “party loud” upon arrival. Today, his assessment of the industry’s progress is more nuanced, characterized by a keen awareness of the systemic rhythms that govern Tinseltown.
“In every struggle, there’s progress, then backlash,” he observes. “It swings like a pendulum.”
Lin acknowledges the undeniable cultural seismic shifts of recent years. There’s the historic ascent of Bong Joon Ho’s “Parasite”, the quiet intimacy of “Minari”, and the maximalist triumph of “Everything Everywhere All at Once”. Yet, he remains wary of a recurring phenomenon: a glass ceiling that seems to permit only a solitary Asian success story to occupy the cultural zeitgeist at any given time.
“It also feels like we’re only allowed one at a time,” he notes, highlighting the industry’s tendency toward singular “exceptions” rather than sustained inclusion.
“I grew up feeling left out of the party. So now whenever I’m at a Hollywood afterparty, I’m always trying to sneak my friends in too.”
This is precisely why a franchise like “Mortal Kombat” serves as a vital counter-narrative for him. In a cinematic landscape often criticized for its “tokenism,” the Mortal Kombat universe operates as a genuine meritocracy of diversity. After all, it’s a sprawling ensemble featuring prominent Asian stars like Lewis Tan, Joe Taslim, Tadanobu Asano, Adeline Rudolph, Max Huang, Tati Gabrielle, etc. . Well, it’s a long list, and that’s a testament to “Mortal Kombat’s” drive for representation.
“It’s not just one token Asian character,” Lin insists. “None of us feel tokenized. None of us feel left out.”
For Lin, the ultimate goal of representation has shifted from mere visibility to a radical form of communal responsibility. He is no longer interested in simply being the man in the room; he is focused on who he can bring through the door behind him and dismantling the “Hunger Games” architecture that’s currently in place… as he puts it.
Of Puppies And Purpose
Beneath the veneer of martial arts prowess lies a man profoundly devoted to the animal kingdom. What began as a simple quest for companionship three years ago has blossomed into a transformative odyssey; Lin has since fostered six puppies and currently shares his life with a six-month-old companion, Pax.
“I was always a cat person growing up,” he notes. “Then I got my first dog… I feel like I’ve got a real connection with them.”
Lin is quick to dismantle the sanitized, social-media version of pet ownership, leaning instead into the unvarnished and often messy realities of the experience. To him, the burden of care is not a weight, but the very crucible of significance. “Every day you wake up with a purpose,” he says. “A lot of that isn’t pleasant, but it’s meaningful.”
Initially, he describes this dynamic as entirely asymmetrical. it’s a one-way street of caretaking for a creature devoid of “dog software.” However, through consistent investment, a profound inversion occurs. “Eventually the roles reverse,” Lin explains. “My dog starts showing me things… It’s a wonderful give-and-take relationship, and I think it applies to other parts of life too.”
This ethos of reciprocity radiates into Lin’s professional calling, linking domestic duty to the complexities of cultural representation and his debt to a global fanbase. For Lin, the “giving back” is a non-negotiable extension of his journey. “I feel that with acting, with representing my culture properly, and with Mortal Kombat fans,” he insists. “They’re the people who made this possible… it took a lot to get here, and I need to give that back.”
Exhausting Life to The Fullest
Source: Muckers Studio, Ludi Lin Captured by Muckers Studio
“We’re all going to die someday, right?” Lin notes when asked about his discipline. Yet, it’s not with morbid dread, but rather with a certain serenity.
For Lin, the inevitability of the end is an argument for immersion rather than avoidance.
“I’d rather run toward it as fast as I can. Exhaust myself. Experience things fully.”
This philosophy acts as the connective tissue of his life, whether he is absorbing the physical toll of stunt training, navigating the chaos of fostering puppies, or exploring the emotional shadows of Liu Kang. In his worldview, exhaustion is not a symptom of fatigue, but the ultimate metric of a life lived with intentionality.
“It’s like running a marathon,” he suggests. “When people finish, they’re completely exhausted, but they’re also incredibly happy because they know they truly did something meaningful. That’s how I want to feel at the end of my life.”
This hunger for the arduous explains his penchant for seeking out the unfamiliar. He admits to intentionally pursuing disciplines where he lacks mastery, circling back to the bruise currently adorning his face with a grin. “I’m doing press with a black eye because I went sparring right before these premieres. I like finding things I suck at.”
This radical openness extends to his emotional landscape. Unlike peers who retreat from the digital fray, Lin refuses to insulate himself behind a celebrity facade. He aims to be a “permeable membrane,” remaining receptive to the world even at the risk of discomfort. “If something hurts, so be it,” he says. “At least I know I still have feelings.”
Credit: George Lawson Photography
As he looks toward the horizon, this desire for the unpredictable is recalibrating his career trajectory. While he retains a deep-seated love for the franchises of his youth, he is increasingly drawn to original narratives and roles that defy his own self-perception.
“I’d love for a writer or director to surprise me,” Lin concludes. “Ideally, someone would approach me with a role where they see something in me that I don’t even see myself… Something that genuinely challenges me.”
It is a rare thing in Hollywood to find an actor so comfortable with his own edges such as the physical bruises, the emotional vulnerabilities, and the looming unknowns. Yet, as our conversation winds down, Ludi Lin remains entirely optimisitic by the chaos of the journey ahead. He offers one final, reassuring smile, sounding every bit like a man who has already mastered the art of the fall.
“Don’t worry,” he says. “Everything’s going to be fine.”
Get over here and watch the “Mortal Kombat 2” trailer starring Ludi Lin here:
“Mortal Kombat 2” is currently playing in cinemas nationwide.
